Showing posts with label Walt Disney. Show all posts
Showing posts with label Walt Disney. Show all posts

2/6/11

LOCKHEED and DISNEY in World War II


Another World War II ad from the November 1943 National Geographic, this time an image from the Walt Disney companies movie Victory Through Airpower.

Click on the image to see it larger and you'll notice that Lockheed offered to send free prints of this image. I wonder how many of those still exist? How large were they? How many did they send out?

VICTORY THROUGH AIRPOWER_tatteredandlost
Click on image to see it larger.

I'll let Wikipedia tell you about the film referenced below the image and then there are two parts from the film. Who knows how long they will be left on youtube before Disney or Lockheed forces the person to take them down. So if there is a black square with no movie I think we can safely assume that will be what happened.
Victory Through Air Power is a 1943 Walt Disney Technicolor animated feature film based on the 1942 book by Alexander P. de Seversky. De Seversky appeared in the film, an unusual departure from the Disney animated feature films of the time.

The film received an Academy Award nomination for Best Music Score of a Dramatic or Comedy Picture, but lost to The Song of Bernadette.

Production
The popular filmmaker Walt Disney read the book and felt that its message was so important that he personally financed the animated production of Victory Through Air Power. The film was primarily created to express Seversky’s theories to government officials and the public. Movie critic Richard Schickel says that Disney "pushed the film out in a hurry, even setting aside his distrust of limited animation under the impulses of urgency." (The only obvious use of limited animation, however, is in diagrammatic illustrations of Seversky's talking points. These illustrations featured continuous flowing streams of iconic aircraft, forming bridges or shields, and munitions flowing along assembly lines.) It was not until 1945 Disney was able to pay off his 1.2 million dollar war film deficit.

Reception
On July 11, 1943, the New York Times devoted a half page, "Victory from the Air," to a feature consisting of pictures of scenes from the film with short captions. This was possibly the first time that such skilled use of visual description had been placed at the service of an abstract political argument.

It is one thing to hear someone say that against modern bombers, "bristling with armament… small single-seater fighters will find themselves helpless, for their guns are not maneuverable—they are fixed and can only fire forward." It is quite another to have this accompanied by vivid animations of swastika-tailed fighters jockeying for position and being shot down by beam-like animated blasts of fire from a bomber whose guns are "always in firing position."

Schickel quotes film critic James Agee as hoping that

“Major de Seversky and Walt Disney know what they are talking about, for I suspect that an awful lot of people who see Victory Through Air Power are going to think they do… I had the feeling I was sold something under pretty high pressure, which I don't enjoy, and I am staggered at the ease with which such self-confidence, on matters of such importance, can be blared all over the nation, without cross-questioning. ”


Impact
On December 8, 1941, Disney studios were essentially converted into a propaganda machine for the United States government. While most World War II films were created for training purposes, films such as Victory Through Air Power were created to catch the attention of government officials and to build public morale among the U.S. and allied powers. Among the notables who decided after seeing the film that Seversky and Disney knew what they were talking about were Winston Churchill and Franklin D. Roosevelt. The Disney studio sent a print for them to view when they were attending the Quebec Conference. According to Leonard Maltin, "it changed FDR's way of thinking—he agreed that Seversky was right." Maltin also adds that "it was only after Roosevelt saw 'Victory Through Air Power' that our country made the commitment to long-range bombing." Roosevelt recognized that film was an effective way to teach and Disney could provide Washington with high quality information. The American people were becoming united and Disney was able to inform them of the situation without presenting excessive chaos, as cartoons often do. The animation was popular among soldiers and was superior to other documentary films and written instructions at the time.

Victory Through Air Power played a significant role for the Disney Corporation because it was the true beginning of educational films. The educational films would be, and still are, continually produced and used for the military, schools, and factory instruction. The company learned how to effectively communicate their ideas and efficiently produce the films while introducing the Disney characters to millions of people worldwide. Throughout the rest of the war, Disney characters effectively acted as ambassadors to the world. (SOURCE: Wikipedia)



8/11/09

OSWALD THE LUCKY RABBIT


Before there was Mickey, there was Oswald the Lucky Rabbit. Never heard of him? That's not surprising, but in his time Oswald was a big hit with his own merchandising.
Oswald was a character the Disney Studios created after Alice Comedies had run its course. The rabbit starred in a series of 26 animated black & white silent shorts (that were shown in major theaters with first-run movies) between 1927 and 1928. He also was the first Disney character to generate merchandise: a chocolate-covered marshmallow candy bar, a stencil set, and a pin-backed button.
The idea for this character came about when Disney's film distributor Charles Mintz (who was now married to Alice distributor Margaret Winkler) suggested a change in direction to keep his animated shorts fresh. Universal Studios was looking for a cartoon series featuring a rabbit and Mintz/Winkler suggested Walt Disney.
  
Oswald, created by Ub Iwerks and Walt, was a spunky & mischievous character with a personality and look that would later be reminiscent of a certain famous mouse. (In fact it's been said that Mickey Mouse is Oswald with round ears.)

The first Oswald cartoon Trolley Troubles, was released September 5, 1927. Oswald's clever gestures and amusing gags made him a favorite with moviegoers over the next 17 months.  

Disney, constantly striving for a higher quality, began producing Oswald cartoons that were costly. In February 1928 Walt traveled to New York to speak with Mintz about an increase in pay. To Walt's surprise, Mintz wanted to cut his pay by some 20%! In addition, he learned that Mintz controlled the rights to Oswald. Rather than accept the cut, Walt gave up his creation, making Mintz the first of many who believed they could assume Disney's success. (Mintz and Winkler eventually lost the character as well and Walter Lantz went on to animate Oswald well into the 1930s. Ironically Oswald would return to Disney in February 2006!)
  
Walt learned from this loss and went on to create another successful character ... that no one would ever be able to take away. (SOURCE: This Day in Disney History)
You can read more about Oswald at Wikipedia, The Ultimate DisneyDisney Go Vault, and Lantz Golden Age Cartoons .

Now, as to the ad shown below, it is from the November 1931 issue of Comfort. What can I say? Find the matching Oswalds and win $625 or a Ford Tudor Sedan. Where's the fine print? Oh, okay, the whole thing is the fine print. I especially love the line "We do not accept answers from people outside U.S.A. or in Chicago."

Oswald the Lucky Rabbit_tatteredandlost
Click on image to see it larger.

Now sit back and enjoy a little bit of Oswald, including his first appearance in film, Trolley Troubles. I really love the music in each of these. Then after the shorts get back to work trying to match the Oswalds above. And no, I don't have a Ford sitting in my driveway waiting to be given away to the winner.