Showing posts with label antique. Show all posts
Showing posts with label antique. Show all posts

12/4/15

Tattered and Lost: FORGOTTEN DOLLS


I'm a doll lover/collector from childhood. Eventually I realized there just wasn't going to be enough room for me to continue down this path. That didn't mean I couldn't still collect dolls, I'd just take it in a different direction. The result is my new book Tattered and Lost: Forgotten Dolls.

New book NOW available on Amazon.
Tattered and Lost: Forgotten Dolls

This one is for those who love dolls!

Snapshots from the last 100+ years of children and adults with dolls. Okay, there are a couple of dogs too.

Perfect stocking stuffer for the doll collector on your list!









12/25/13

6/6/13

SAMUEL E. LOWE and Violet Idelle Higgins in 1916


This is a repost from January 12, 2012 because of the following comment I received. I thought paper doll collectors might find this interesting.
I just discovered this site, so a belated answer to those who wonder if this is the same Samuel Lowe from the Golden Books and Lowe paper doll books. Yes, my father wrote many of the books for the authors who had written for Whitman Publishing before it became part of Golden Books and was also creator of the classic doll cut-out books.
  —Richard Lowe
................................................

This vintage children’s book was bought a couple years ago at an estate sale. What remains memorable is that there was a beautiful bookcase in the living room with many children’s books inside; such a rare thing to find at an estate sale. If there are children’s books they’re usually reprints or books from the last 20 years and pretty low end.









Click on any image to see it larger.

This book, The Camp Fire Girls Duty Call (1916), is from The Camp Fire Girls series written between 1912 and the 1930s. Though the author says Helen Hart a little net digging shows that this was just a pseudonym for Samuel E. Lowe (1890-1952). According to Wikipedia he wrote a total of 5 books in the series as Hart. You can find this information here. I'm not finding biographical information about Lowe, but he did write several other books including The Court of King Arthur.

If you look around online you'll find Samuel E. Lowe & Co. listed for a lot of comic books. I also found a reference for Lowe working for Western Printing and Lithographing Company. Whitman, publisher of this book, was a subsidiary of Western.

There is a college scholarship, Samuel E. Lowe Scholarship, established by Western. Same Lowe? I'm guessing so. I just can't find any definitive biography of this man. Perhaps someone will find this post and fill in some details.

As to information about the series, it’s spotty at best. I did find the following information at the University of Minnesota Libraries “Girls Series Books: A Checklist of Titles Published 1840-1991” list:
Note: Publication information on this series is still a puzzle. Many of the 
volumes have no copyright or publication date listed. Girls Series Companion 
1990 notes that chapters from volumes 2, 4, and 5 also appear in three of the 
MARY LEE books. (Mary Lee is also a character in the Camp Fire Girls 
series.) The NUC attributes volumes 5 and 7 to Samuel Edward Lowe under 
the pseudonym Helen Hart, and it is possible that others in the series are his 
work. The NUC attributes another book published by Whitman, Marigold's 
Pony (not part of the series), to Lowe under the pseudonym Howard B. 
Famous, but copies of Marigold's Pony have been seen with Rietz listed as 
author on the cover and Hart as author on the title page.
If you read enough of the notes at this site you’ll see why trying to pin down this series is so confusing. That said, let’s enjoy it for what it is. A book of a time period long gone.

The illustrator was Violet Idelle (Moore) Higgins (1886-1967) who attended the Art Institute of Chicago in the early 1900s. She illustrated children’s books, magazines, and even a weekly comic, Drowsy Dick. Click here to read a biography of Violet and her husband, Edward Roberts Higgins, also an artist.

You can click here to see more information about her methods and media.

Here and here are a few more of Higgins illustrations.

And let’s hear it for series books for girls. I remember when the San Francisco library was refusing to carry Nancy Drew books because they felt they weren’t literary enough. Balderdash! They were missing out on what girls series books have done for girls over the years. They were never meant to be literary. They were meant to give girls a different perspective as to what was possible. Yes, the stories were formula writing, but there was a comfort in seeing a girl triumph each time she set out to do something. Girls were able to see themselves in the world beyond the narrow path set for them by others. Not all series were created the same and I can’t say if the Camp Fire series challenged girls to think outside the box (an expression that should be boxed and put on the shelf), but if it helped girls feel good about themselves then it succeeded.

10/3/12

BRIDGES: Clark's Ferry Bridge Across the Susquehanna



Click on image to see it larger.

I know I’ve crossed this bridge many times when I was with my maternal grandparents. My grandfather would want to go “up country” to where he was born and raised. My ancestors go back hundreds of years in Perry County, Pennsylvania and over 100 in Dauphin County. So this bridge would have been one we crossed when heading to a church pot luck my grandfather was fond of. I still have relatives living on the other side of this bridge, but I fear I will never make another trip back to Pennsylvania. I do miss it.

This bridge was replaced in 1986. I've crossed it a few times.

Originally, from what I’m able to find, there was a ferry here established around 1788 by a man named Clark.


There was a bridge which preceded this bridge.
One of the oldest crossings over the Susquehanna River is at Clark's Ferry at the southern tip of Duncan Island in Reed Twp., Dauphin County. This location where the Juniata River empties into the Susquehanna River, east of Duncannon, was called  Queenashawakee" by the American Indians, according to "The History and Topography of Dauphin, Cumberland, Franklin, Bedford, Adams, and Perry Counties" written by I. Daniel Rupp and published in 1846.
The site became a fording place on the Huntingdon and Pittsburgh paths for the earliest traders and settlers on their trek westward. The first ferry was established by Daniel Clark in 1788, passed onto his son, John Clark, and then to his son, Robert Clark. In 1808, the ferry became part of the stage coach line to Huntingdon.
In May 1818, a commission was organized to build a bridge across the Susquehanna. Bridge building in those days was an arduous task, and it was not until 1828-29 that the first permanent span was opened.
The bridge belonged to the commonwealth, which built a dam just south of the structure. The dam created a pool of water which was used as part of the state's early canal system. A mule towing-path was attached to the bridge. The covered bridge incurred the ravages of fire and flood but was repaired each time. Most of the bridge was destroyed by fire May 14, 1846, but it was rebuilt.
In 1857, the state sold the entire canal system to the Pennsylvania Railroad, which in 1867, transferred the canal system to a newly organized subsidiary, the Pennsylvania Canal Co.
After the abandonment of the canal system in the early part of the 20th century, the canal company sold the bridge to the Clarks Ferry Bridge Co. in 1915. (In some references Clarks is spelled Clark's.)
The president of the Clarks Ferry Bridge Co. was Harrisburg entrepreneur William Jennings, president of Commonwealth Trust Co. His longtime business associate, Christian W. Lynch, was vice president.
William Wills and P.F. Duncan were secretary and treasurer, respectively. Wills and Duncan were principals in Standard Novelty Co. in Duncannon, which was founded in 1904 and manufactured the famous Lightning Glider sled. The bridge was 2.088 feet long, divided into 10 spans, nine of which were 212 feet long and one 180 feet long. In 1888, it had the reputation of being the longest covered wooden bridge in the world.
Experts estimate that more than 1 million board feet of choice white pine lumber was used in the bridge. The lumber was cut from logs rafted down the river from the great white pine country along the West Branch of the Susquehanna.
The covered bridge served well in its time, but on Feb. 2, 1924, Jennings announced that it would be replaced. He said that span was barely wide enough to permit the crossing of one vehicle at a time.
(SOURCE: Harrisburg Patriot-News)

At one point the bridge shown above was a toll bridge. I live in an area where there are a lot of toll bridges. It’s sometimes fun to think about which route to take around the San Francisco Bay and not have to pay a toll. It’s always a good way to start an argument.


Click on image to see it larger.

With so many credit references on the back of this post card I'll just settle with it being ultimately a Curt Teich card since his logo appears on it.

1/19/12

MOTHER GOOSE CUTOUT PICTURE BOOK paper doll


Years ago I bought a huge box of paper dolls on eBay; a purchase made around 2 in the morning for $300. I can’t blame the Ambien for that one. I walked around for a few hours thinking of buying it; back and forth between my computer and a walk around the house. Then I just thought, “What the hell….”

When I got up the next morning I was glad I remembered making the purchase. I did have some misgiving when it arrived; I looked through it and thought, “This is all crap!”

Within a few days I’d calmed down and realized what I’d actually bought. It was worth far far more than what I’d paid. Hundreds of paper dolls, most cut, but some still uncut in their folders. I put all the cut dolls into special archival albums. This is one of the ones from that box.

This is the Mother Goose CutOut Picture Book published by the National Art Company in 1915.

Click on any image to see it larger.





Below is what the actual cover would look like uncut.

One of these books is currently for sale here. I should be so lucky.

If you like dolls you might enjoy clicking over to my other site Tattered and Lost Photographs.

1/18/12

POLLY'S PAPER PLAYMATES from 1911


This antique paper doll is from The Boston Herald Sunday supplement in 1911. Looks pretty good for being over 100 years old.

There were 12 dolls in this series as shown below or here. Alas, I only have two from the series.

Click on image to see it larger.

And click on over to Tattered and Lost Photographs to see a young girl with a Madame Alexander doll.

1/12/12

Samuel E. Lowe and VIOLET IDELLE HIGGINS in 1916


This vintage children’s book was bought a couple years ago at an estate sale. What remains memorable is that there was a beautiful bookcase in the living room with many children’s books inside; such a rare thing to find at an estate sale. If there are children’s books they’re usually reprints or books from the last 20 years and pretty low end.









Click on any image to see it larger.

This book, The Camp Fire Girls Duty Call (1916), is from The Camp Fire Girls series written between 1912 and the 1930s. Though the author says Helen Hart a little net digging shows that this was just a pseudonym for Samuel E. Lowe (1890-1952). According to Wikipedia he wrote a total of 5 books in the series as Hart. You can find this information here. I'm not finding biographical information about Lowe, but he did write several other books including The Court of King Arthur.

If you look around online you'll find Samuel E. Lowe & Co. listed for a lot of comic books. I also found a reference for Lowe working for Western Printing and Lithographing Company. Whitman, publisher of this book, was a subsidiary of Western.

There is a college scholarship, Samuel E. Lowe Scholarship, established by Western. Same Lowe? I'm guessing so. I just can't find any definitive biography of this man. Perhaps someone will find this post and fill in some details.

As to information about the series, it’s spotty at best. I did find the following information at the University of Minnesota Libraries “Girls Series Books: A Checklist of Titles Published 1840-1991” list:
Note: Publication information on this series is still a puzzle. Many of the 
volumes have no copyright or publication date listed. Girls Series Companion 
1990 notes that chapters from volumes 2, 4, and 5 also appear in three of the 
MARY LEE books. (Mary Lee is also a character in the Camp Fire Girls 
series.) The NUC attributes volumes 5 and 7 to Samuel Edward Lowe under 
the pseudonym Helen Hart, and it is possible that others in the series are his 
work. The NUC attributes another book published by Whitman, Marigold's 
Pony (not part of the series), to Lowe under the pseudonym Howard B. 
Famous, but copies of Marigold's Pony have been seen with Rietz listed as 
author on the cover and Hart as author on the title page.
If you read enough of the notes at this site you’ll see why trying to pin down this series is so confusing. That said, let’s enjoy it for what it is. A book of a time period long gone.

The illustrator was Violet Idelle (Moore) Higgins (1886-1967) who attended the Art Institute of Chicago in the early 1900s. She illustrated children’s books, magazines, and even a weekly comic, Drowsy Dick. Click here to read a biography of Violet and her husband, Edward Roberts Higgins, also an artist.

You can click here to see more information about her methods and media.

Here and here are a few more of Higgins illustrations.

And let’s hear it for series books for girls. I remember when the San Francisco library was refusing to carry Nancy Drew books because they felt they weren’t literary enough. Balderdash! They were missing out on what girls series books have done for girls over the years. They were never meant to be literary. They were meant to give girls a different perspective as to what was possible. Yes, the stories were formula writing, but there was a comfort in seeing a girl triumph each time she set out to do something. Girls were able to see themselves in the world beyond the narrow path set for them by others. Not all series were created the same and I can’t say if the Camp Fire series challenged girls to think outside the box (an expression that should be boxed and put on the shelf), but if it helped girls feel good about themselves then it succeeded.

9/1/11

LET'S EAT OUT: Part 3...Spenger's Fish Grotto


Once upon a time there was a restaurant in Berkeley, California called Spenger’s Fish Grotto that had a history dating back to the early part of the 20th century. The food was abundant and good. The waiters were often as crusty as the wonderful sourdough bread that was served.

As a kid and young adult Spenger’s was a regular Friday night adventure. The wait in the bar for a table could take hours. The place was always packed. When I say packed, I mean people out on the street waiting for a chance to even wait inside. And who knows, you might even see someone famous waiting with you.




Click on either image to see it larger.

I never saw the bar as well lit as shown on this card. It was dark and smoky. Okay, I wasn’t fond of the cigarette smoke, but it was all part of the atmosphere. There were several dining rooms, but my favorite is the one shown here on the postcard, the Teak Room. I can remember sitting at one of those center tables watching waiters buzzing through the kitchen doors. The room was always busy. It was my mother’s favorite restaurant.

I bought this menu and napkin several years ago. I don't know exactly what year this menu is from, but it looks exactly like the ones I remember from the 1960s. I like to think that at some point my mother actually held this menu.









Click on any image to see it larger.

It was a family owned restaurant for generations.





My mother's favorite dish was the “Shrimp Scatter” described as “A platter full of Golden Fried Tiny Shrimp. Served with Cole Slaw and French Fries.” Look at the price. $1.85. A whole meal for $1.85. This included lots of crusty sourdough bread which was a classic with their clam chowder.



If you have memories of this place this napkin will look familiar; the only thing missing is the wet ring your glass would have made while you waited and waited for your table.





Sadly, all things change and the Spenger family sold the restaurant to a corporation. For awhile the place was closed. We worried about what changes would be made. I’ve been back once since it reopened. It looked the same outside, the entrance seemed to be similar, and the bar looked as close as my memory would allow. The dining room we were seated in bore no resemblance to the old place. The wait staff was pleasant, but generic. The food…I’ll never go back. What once was a landmark is now nothing more than another restaurant in a corporate chain of over 80 restaurants across the country. Think Red Lobster, but more expensive.

The shining history that may still linger in people’s minds when they hear the name Spenger’s was created by a family dedicated to their customers. There was no website with headings called “Our Investors” or “Our Culture."

As I’ve said before, support family restaurants. Keep the money in your community and not sent off to a corporate headquarters. Cookie cutter food prepared by people towing the company line means that the MBAs are in charge of everything and look how well that turned out for all of us.

6/25/11

SALT LAKE CITY at night


As I mentioned yesterday, I purchased a book called Postcards of the Night: Views of American Cities which has inspired me to go through some of my vintage postcards searching for night scenes, real or simply imagined by the manufacturer.

The one below of Salt Lake City, Utah is a prime example of the company trying something but failing miserably. Proportion is way off. I mean WAY OFF!

Salt Lake City at night_tatteredandlost
Click on image to see it larger.

Look at the cars. Tons of cars. Cars jammed in with no room to even open a car door to get out. Then look at the cars on the left side of the street, their size in comparison to the street lights. Oh sure, the artist was trying to draw perspective, but it looks like they had a bunch of VW Beetles parked along the street, very very tiny Beetles.



And then there's the car driving down the righthand lane. Why so close to the backend of each parked car? It's a wide street. They even make a point of bragging about the wide street:
This is an excellent night view of alt Lake City's main business thoroughfare. Note the unusual width of the street so typical of all streets in Mormon communities.
Huh? Mormon's were known for their wide streets? Okay, I'll leave that alone. It's just odd.

What's also odd is that the left side of the street seems to be the "dry" side while the right side is where the honky tonk "cafes" are located. Remember, when this shot was "taken" you could not buy liquor or even a Coke in this town. So as to what was going on on the two sides of the same street...one can only imagine.

I can't find anything about the manufacturer, Carpenter Paper Co., other than that they began operations in 1896.

Salt Lake City at night_bk_tatteredandlost

More nighttime scenes to come.