Showing posts with label antique postcard. Show all posts
Showing posts with label antique postcard. Show all posts

4/27/15

S. S. President Cleveland ON THE HIGH SEAS UPDATE!


This is an update to a post done on July 9, 2009. In October of 2014 I received an interesting comment from a reader. The fella has now followed up with a fascinating post of his dangerous voyage. Scroll down to the "UPDATE" to read his harrowing memory.

I can close my eyes and remember standing aboard ship and watching the sun set on the horizon as we sailed to Hawaii, each day feeling the sea breeze grow warmer. I wish I could experience it again. 

These lovely cards are of the S. S. President Cleveland which sailed from San Francisco to Asia and back again. I believe these date to the later 50s to early 60s. 

S.S. President Cleveland_front_postcardtatteredandlost
S.S. President Cleveland_postcard front_tatteredandlost
S.S. President Cleveland_back_postcard_tatteredandlost
Click on images to see them larger.

The S. S. President Cleveland was part of the American President Lines. 
In 1938 the U.S. Government took over the management of the Dollar Steamship Co. which was in financial difficulties and transferred their assets to the newly formed American President Line. The company operated trans-Pacific and round-the-world services, but the war in Europe disrupted services and after the entry of the United States into the war, all the company's ships were taken over for war duties. After the war, only two ships were returned to the round-the-world service and two new ships were built 1947-48 for the trans-Pacific route. Further ships were later added to the fleet, but by 1972 only the PRESIDENT CLEVELAND (2) and PRESIDENT WILSON (2) were sailing as passenger ships and both were withdrawn from service the following year. The company still trades as a cargo company. (SOURCE: The Ships List)
To see photos of the interior click on this link to the site Cruising the Past. And to read a complete history of the lines click here for Wikipedia. Unfortunately I can't find any information about either illustrator.

I hope this bit of ephemera brings back memories to those who sailed the high seas in style and gives those who didn't a moment to pause and dream.

UPDATE:
You expressed interest in hearing a story about an incident that I wrote about on your blog 10/03/14 concerning an incident aboard the SS President Cleveland in 1972.

Well here it is. I wrote this out this morning in an email to a friend. Post it to your heart's content.

Enjoy!...........John Bengtson in White Salmon, Wa

The SS President Cleveland was launched sometime in 1946 but the hull was laid down in 1944. It was designed by war time standards, meaning that there wasn't much consideration for the comfort of the crew. And because of this the jobs were fairly easy to get, even for a junior member of the union. Around 1971 with the cutback to military supplies going to Viet Nam, shipping became very tight and many seaman quit going to sea altogether.

I took the call and joined the ship in San Pedro around World Series time, carefully timed because I knew that no one wanted to take a call and miss the series. I shipped as Evaporator Maintenance Man and was assigned the 12-4 watch.

The ship was near the end of it's life and most everyone knew that. Just enough maintenance to keep her going one more trip. The Black Gang (unlicensed engine dept) was nearly 40 men. My foc'sle (room) had 3 of us crammed in there, some of the Stewards Dept. were 6 to a room. And of course there was no air conditioning.

Pretty fun crew though. Quite a few people near my age. My watch engineer was in his mid 20's. In hot weather we used to sneak up to the 2nd class swimming pool after morning watch and take a dip, knowing that it would mean getting fired if we were caught. And we joked amongst ourselves that was the only way that we would be able to quit the ship.

The Cleveland was turbo-electric propulsion and had 2 engine rooms. Steam drives the turbine which drives a huge alternator which, through huge wires, drives the motors at the propellers. This made for a strange engine room layout. Normally a turbine would be perfectly amid-ship, but being that there was no shaft connecting the turbine reduction gearing to the propeller, and hence no shaft alley, the turbine was set was on the starboard side of the engine room. Boilers were situated fore and aft with opposing
 furnace fronts and air registers facing each other on the port side of the plant. My evaporators were on the 2nd deck level with the steam drums and further outboard of the boilers. There was a metal grate connecting the evap flat with the rest of the engine room running tightly between the boilers. And a ladder (steep stairway) to the deck below. Over head on the evap flat was the ducting, 2 aprox. 4'x6' ducts which brought the forced draft air to the boiler, and directly overhead was a point where the 2 ducts joined together briefly with a flapper valve in between (? diverter?)with a mechanical handle which would allow 1 forced draft fan to supply both boilers in case of emergency.

When I joined the ship I couldn't help but notice some unsafe conditions, particularly one that led to the event which I'll get to in a minute. The fuel oil to the boilers goes through an automatic solenoid shut-off valve which will stop the flow of fuel to the boiler in the event the forced draft fans overload and stop supplying air to the boiler. And these solenoid valve handles were held open by bricks to prevent them from false tripping.

Somewhere on route to San Francisco from Honolulu on the 12-4 afternoon watch that is exactly what happened. Charlie Reis fireman/watertender, Arthur Rudy watch 3rd asst.engineer, and myself were chatting in the fireroom when all of a sudden heavy black smoke began to pour from the air registers on one of the boilers. What had been another uneventful watch quickly became a serious situation. And the sequence of events gets a bit hazy from here. First was Rudy's attempt to restart the forced draft fan, to no success. I ran up the ladder to my evap flat and tried to open up the diverter (flapper) where the 2 ducts joined so as to supply air to both boilers from 1 fan. The handle wouldn't burge, probably rusted shut from years of disuse. All the while the fireroom is filling up with black smoke. And then the other fan quit and smoke was pouring out of both boiler fronts and the boilers started "panting".

Has anyone ever seen a wood stove pant? The draft gets a certain pulsation going and the whole stove seems to expand and contract with a corresponding whoosh-whoosh sound. It's scary when a wood stove does this and it's really scary when a boiler, something as big as a cabin, pants.

At this point both boilers were panting. My last image of the fireroom through the smoke was of Charlie Reis shutting off the oil to these panting boilers. Charlie was a huge man, probably 6'5", big enough to reach the oil valves on each boiler at the same time. He was literally trying to hang on to the valves while these cabin sized boilers were panting.

Things were happening pretty fast. At this point, I decided that I should secure the steam to my evaporator so I ran up the ladder to my evaporator and began closing a big steam valve with a 3' valve wheel. At this point the 1st asst. engineer showed up on the grate between the boilers and started screaming "WHAT'S GOING ON?" Every fireman is taught to always keep an eye on the gauge glass which indicates the water level in the boiler. For some reason I looked at the gauge glass on one of the boilers and didn't see a level. I yelled to the 1st "CHECK THE GLASS,CHECK THE GLASS!". What appeared to be water level below the level of the glass was actually water in the steam drum higher than the glass, too high a water level. The 1st asst. ran down to the feed water pump and over rode the pump, pumping more water into an already full boiler.

I was still turning this big valve wheel to shut off steam to my evaporator when the explosion occurred. I was about 20' away from where the steam lines from the 2 boilers join to form the main steam line to the turbine.

The next thing that I remember was being on my knees at the bottom of the ladder next to the fireroom. Black smoke was pouring out of the fireroom now, too thick to see Charlie anymore. I took off running around the back of the boiler towards the other side of the engine room where there was a ladder going up to the operating platform. It was extremely loud and getting hot fast. I was thinking I could still get out. When I got to the ladder, the Chief, 1st asst. and the watch engineer were coming down. It was getting too hot up there. My watch engineer Rudy was hysterical and in tears. And remember that this ship didn't have a shaft alley, so no shaft alley escape.

I was once told that in the event of a major steam explosion you might live if you immerse yourself in the bilge water. And pray.

What had happened was when the water level in the full boiler carried over to where the 2 steam lines met, that water meeting the steam exploded and it blew out the gasket at the joint. 475# steam escaping through the area in the joint where the gasket had been.

The Chief Engineer, before coming down, had fully opened up the throttle to drain the steam off into the turbine. But still no Charlie. When I last saw him he had been closing off the fuel oil to the boilers. It was finally sinking in what had just happened in the course of about 5 minutes. And then Charlie appeared, covered in black soot. If he hadn't gotten the oil shut off we might have all suffocated.

Eventually it cooled down enough so we could get out through the top of the engine room. I had another evaporator in the other engine room to take care of, but the rest of that engine room watch was off for the rest of the watch. Within a day the repairs were made and we were back to 2 engine rooms.

I don't usually tell this story in this much detail because there's another point here, a real twist. We arrived in San Francisco 2 days later. The SF Bay Area had a brand new transit system, BART, and I took the train to visit my father in the East Bay. My sister was staying with my Dad while attending college in Hayward and she answered the door when I arrived. Her first question was "where have you been the last two days"? I told her that I we had just arrived that afternoon and she repeated what she had asked before, and asked what I might be hiding, not quite calling me a liar. When I asked her why she thought that I had arrived home 2 days prior, she told me that she heard me calling her name, over and over. She had been typing at her desk and said that it sounded urgent, as if I was holding packages that I was about to drop and needed someone to open the door for me. She ran out through the garage and I wasn't there. Next she ran to the front door, which we rarely used, and I wasn't their either. And then back through the garage and out into the street calling my name.

Things settled down and I convinced her that I was telling the truth. She was so sure that she had heard me calling her name. Then it dawned on me that we had had this incident on the ship 2 days before and at that one point, between being blown down that ladder and coming to on my knees, I had no recollection. I asked my sister what time this all happened and it matched perfectly considering the time change coming from Hawai'i.

Did I mention that I was scared? You bet I was.

                   John Bengtson in White Salmon

                   Marine Firemen's Union, JM-3736  1969- 1978
Thank you John! What a vividly told story. I felt as if I was watching a movie. 

5/30/13

The MISSING DEPOT in Cheyenne, Wyoming


On May 26th I did a post about a post card of the Plains Hotel in Cheyenne, Wyoming. Today I feature what used to be across the street; a lovely old train depot.




Click on images to see them larger.

Looking online with Google I find that what's across the street now bears no resemblance to this fine train depot. There is now a large park with a different depot.


I read nothing but rave reviews about this park and depot, but I can't but wish that I'd been able to look out of a room of the Plains Hotel across 16th Street to the old depot on this card with trains pulling in. Better than a freeway onramp.

The post card was published by Harry Heye Tammen. You can read a bit more about him by clicking on his name in the labels below.

And click here to see another post card of the old depot. According to the sign in this shot, this was also a bus depot.

5/4/12

KNOTT what it seems


This post is a companion piece to this week’s Sepia Saturday post at Tattered and Lost Vernacular Photography.

The following images are all from Knott’s Berry Farm located in Buena Park, California.

I first went to Knott’s Berry Farm in the early 1950s, before Disneyland was even open. I have two vivid memories; one involved the train, the second involved the jail.

This lovely old train was one of the few rides in the park. I don’t remember why only my mother and I went on it, but I can tell you I was screaming at the top of my lungs before it was over. Everything seemed to be fine and dandy as the train moved around the park grounds. And then THEY came aboard with guns drawn, kerchief masks over the faces. They were train robbers and I thought it was all very real. I was terrified as they came down the aisle demanding our valuables. I don’t know how my mother got me calmed down, but we forever remembered that ride.





Click on any image to see it larger.

The second memory involves my grandfather and the trick he played on me. Behind some old buildings on the main street is the old jail. You walk up a wooden sidewalk and look inside to see the poor fellow below. Again, I was a little girl, probably around 4 or 5. Imagine my surprise when I looked through the jail house door window and the prisoner, Sad Eye Joe, started talking to me, using my name. How could he possibly know who I was? My folks stood by laughing. I was creeped out. And for some reason my grandfather was no where to be found. It wasn’t until I was older that my folks let me in on the “secret.” Anyone could go to the building in front of the jail and give a man the name of someone who was approaching the jail door. Then this fellow would start talking into a microphone as you looked in the door. I got to finally do it to a friend in the early ‘70s. She was old enough to know the dummy was not talking, but it took her awhile to figure out how it had happened. I have a photo of her peeking through the door. I just wish I had a photo of the look on her face when she turned around.


Click on image to see it larger.

I haven’t been to Knott’s Berry Farm in a very long time. I have such good memories of how it used to be before it became just another park with rides. It was a gem when life was slower. Chickens roamed around the parking lot, long lines of people waited to eat in the chicken restaurant (not to go on rides), and just walking up and down the dirt covered streets with the old buildings was an adventure. As to the parking lot chickens…I have no idea if the lot was searched each night for road kill to serve the next day at the chicken restaurant.


Click on either image to see it larger.

3/12/12

The little people at the ALOHA PHOENIX RESORT


Do you ever click on the “Next Blog” label at the top of Blogger blogs? Google seems to think that by analyzing where you’ve come from they’ll be able to recommend where you’d like to go next. I can say with 100% certainty that not once have they guided me to something I would remotely be interested in. In fact, they send me to sites that are always far removed from who I am and what my interests are. In short, I’m not someone who can be easily compartmentalized using data mining. I know they’d like to believe we are all anxiously awaiting their guidance, but we’re not. That said…

Do you ever visit Google’s Blogs of Note? Again, rarely is their choice something which interests me, but at least I know that the choice that shows up on the screen has more to do with the person(s) choosing the blogs than it does with any data they’ve collected from my net searches. Occasionally they do come up with something that I find interesting that might hold my attention for longer than 30 seconds. They got my attention with the February 29th choice, Little People. It’s a site I’ll be back to visit to see what new photos have been posted of the little people underfoot we never notice. Well, my best friend and I did have little people living outside her apartment in Waikiki that we were fond of, but the story is way too long and odd.

This pointless ramble is to say that the little people at the Little People site made me think about all the little people you see in commercial post cards for hotels/motels, etc. Models stuck in some position in which they hopefully add human dimension to what would otherwise be a cold sterile shot of generic architecture. And so…I give you the little people at the Aloha Phoenix Resort in 1976.

From what I'm finding online this resort no longer exists. At one time it was apparently known as Samoan Village Motor Hotel back in the day when Tiki was all the rage. Tiki gods run very deep in my childhood so I do miss the days of Tiki.




Click on either image to see it larger.

This card was produced by Petley. To see a few other Petley cards click "Petley" below in the labels.

If I had not seen the Little People site I’d have never done this post. Don’t hold it against them.

3/3/12

HARVEST HOUSE CAFETERIA and Woolworths


Welcome to the Harvest House Cafeteria in Cerritos, California.



Ummm...no wait. I mean Flint, Michigan...Niles, Ohio...Toledo, Ohio...Cleveland, Ohio...Carlsbad, California...Indianapolis, Indiana...okay, I have no idea.

A generic card for a chain restaurant that was apparently owned by Woolworth's. I never went to a Harvest House, though I do have very fond memories of going to the counter at Woolworth's in Harrisburg, Pennsylvania with my grandmother.

The real question here is where was this photo actually taken? Were there several restaurants that looked exactly like this or did they just take a shot and slap different cities on the back?

I have found other vintage post cards for Harvest House online with different images. It appears there were two other images used for their cards seen here and here.

To see a Harvest House cheesecake recipe click here. To see an old matchbook cover click here.

So that's today's mystery. Where did this room actually exist? Did it exist?

I can't guarantee any of these links will work in the future because many of them are for cards currently for sale.
________________________

New book available on Amazon.
Tattered and Lost: Forgotten Dolls

This one is for those who love dolls!

Snapshots from the last 100+ years of children and adults with dolls. Okay, there are a couple of dogs too.

Perfect stocking stuffer!









1/1/12

HAPPY NEW YEAR: START on the count of three


Go ahead, blow your own horn. Then keep it down. I've got a headache.



Click on either image to see them larger.

Another card illustrated by Bernhardt Wall. A copy is available here at Card Cow.

12/31/11

HAPPY NEW YEAR as the last hours tick away


By this time tomorrow...



Click on either image to see them larger.

A card similar to this is available on Card Cow.

12/30/11

Happy New Year with BERNHARDT WALL


A card created by Bernhardt Wall. I'll be featuring another of his cards this weekend.




Click on either image to see them larger.

Bernhardt Wall was born in Buffalo, New York on Dec. 30, 1872. He died in 1956 in Sawtelle, California.
After studying at the Buffalo Art League, Bernhardt Wall began a career in lithography in 1889. He soon became known as the "Postcard King" and designed over 5,000 comic cards. He served in the Spanish American War in Cuba.

About 1915, he decided to make etching his vocation. He then had studios in NYC, Houston (TX), Lime Rock (CT), and Sierra Madre (CA). He died in Sawtelle, CA on Feb. 9, 1956.

As an historian, he specialized in famous people and historical events. He was the illustrator and author of Odyssey of the Etcher of Books, Abraham Lincoln, and Thomas Jefferson. Member: Sierra Madre Art Guild; Chicago Society of Etchers.

Exh: San Antonio AA, 1894 (medal); Fort Worth Museum, 1929, 1935 (solos); Witte Museum (San Antonio), 1936, 1955 (solos); Laguna Beach AA, 1945-46. In: Huntington Art Gallery; Grosvenor Library (Buffalo); British Museum; Lincoln Library (Shippensburg, PA); Library of Congress; New York Historical Society; Southwest Museum (LA); Newark (NJ) Public Library; Harvard, Yale, Columbia, and Iowa State Universities. WWAA 1936-53; Pasadena Star-News, 2-14-1956 (obit). (SOURCE: Edan Hughes, "Artists in California, 1786-1940")
To see other cards by Bernhardt Wall click here, here, and here at Card Cow where you can actually buy a card like this. Click here to read about his archive at the library at Texas A & M. Click here to go to Google Images.

Over at Tattered and Lost Photographs I'll be featuring some photos the next few days to get you in the mood for the New Year.

12/21/11

CHRISTMAS: And...ANOTHER WHITNEY CARD


Like I said the other day, I had no idea I had so many Christmas themed cards by the Whitney company. If you need to see what the back of this card looks like just go back a couple days and look at another post. I'm just getting lazy now.

Click on image to see it larger.

12/19/11

CHRISTMAS: On a WHITNEY roll


Until I scanned some holiday post cards I hadn't even realized how many were by the same publisher.

I give you the third in a row Whitney card. Another card with embossing where I like the back better than the front.


Click on either image to seem them larger.

12/17/11

CHRISTMAS: Get a HORSE!


Does anyone remember yelling out "Get a horse!" to someone whose car had broken down? I can also remember kids yelling it out school bus windows at kids who were walking to school. An old phrase, long out of fashion. I would guess that the meaning of it is not known by anyone under 50. I'm of the generation who still related to the comment through memories of my grandparents. Yell at someone these days and you'll probably get a most curious look.



Click on either image to see them larger.

Another card from the Whitney Company in Worcester Massachusetts.

12/16/11

CHRISTMAS: SHOP 'til you drop!


This message is brought to you by the retailer's of America. Shop until you drop and then shop some more. It's how we do things in this country. And by all means, WANT a lot! And then want even more!

I'm not opposed to gift giving, I enjoy it. I am against the making a demand list. I'm especially against children making huge lists of wants/demands. As a child I was told I could ask for one thing, only one thing. I was happy if I got it. Anything else I received was just icing on the cake. I wish people would go back to this way of thinking.

Yes, shop. Support retailers, but be a thoughtful shopper. Wisely spend your money and consider where it's going.




Click on either image to see them larger.

The card was produced by the Whitney Company in Worcester, Massachusetts. You can read a bit more about the company here.

12/15/11

CHRISTMAS: When you're FAR FROM HOME and NOT FORGOTTEN


They might be far away, but we should never forget them no matter if they're currently serving or served in the past.



Click on either image to see them larger.

Manufacturer was Illustrated Post Cards and Novelty Company. If you click here you'll be taken to a book called Cases Argued and Determined in the Supreme Court of Errors of the..., Volume 85 which lays out an interesting case brought by the company.

12/14/11

CHRISTMAS: Card DOESN'T LOOK CHRISTMASSY to me


This card, published by Wolf & Co., mailed in 1919, doesn't look the least bit Christmassy to me. I'm guessing this was a generic image that just had holiday messages slapped on as necessary. Still, a nice little card badly worn.

Cannot read the artist's signature. Perhaps someone will find it familiar.



Click on either image to see them larger.

Thanks to the observant reader Lori for pointing me in the right direction about the card's illustrator. It is indeed an Ellen H. Clapsaddle image. You can read the Wikipedia entry about her here. Here is a portion of the piece which points out exactly how close Clapsaddle was to the owners of the company Wolf & Co.:
Ellen Hattie Clapsaddle (January 8, 1865 in South Columbia, New York, died 1934) was an American illustrator/commercial artist in the late 19th and early 20th centuries. Not only is her style greatly admired and well recognized, today she is recognized as the most prolific souvenir/postcard and greeting card artist of her era.

Career
Clapsaddle’s father died on January 5, 1891, and she and her mother went to live with an aunt in Richfield Springs. Clapsaddle spent her next fourteen years not only giving art lessons, but also creating and selling illustrations, landscapes, and portraits commissioned by local wealthy families, and freelance artwork that she submitted to various publishers through the mail out of an art studio in downtown Richfield Springs.

Initially, two of her designs were accepted by the International Art Publishing Company in New York City to be used as souvenir/postcards that became an immediate success as bestsellers. After that initial purchase of two designs, several others followed and they retained her to work along with other artists. Because she became their premier illustrator due to the popularity and successful marketability of her designs, the company invited her to move to the city around 1895.

Soon, by 1901, the International Art Publishing Company also offered her a paid 2-year trip to Germany for her and her mother. While in Germany, she refined her art talent by working directly and closely with the German engravers who were the actual manufacturers of the products offered for sale. Her designs started to appear in various forms like Valentines, souvenir/postcards, booklets, watercolor prints, calendars, and trade cards and other objects in the world of advertising.

By this time, Germany was the center of the high-end publishing world and many publishers in the United States depended on them for the final products that were shipped to the U.S. Clapsaddle was in Germany when her mother, died on March 2, 1905.

Clapsaddle spent some years in Germany, funded by the International Art Publishing Company, and then returned to New York around 1906. It is said that she established the Wolf Company backed by the Wolf brothers—a full subsidiary of the International Art Publishing Company of New York City. She was the first and only female souvenir/postcard artist of the era to establish her own enterprise. She was the sole artist and designer for this company.

At that time, few women were even employed as full-time illustrators. For 8 years she and the Wolf brothers enjoyed their success and there seemed to be no limit to the growth potential in the souvenir/postcard industry. (Some sources suggest that she was employed by the Wolf brothers). Nevertheless, confidence in the boom and high return in profits in this specialized area of commercial art during this boom period, led her and her partners to invest heavily in the years that followed in many Germany engraving and publishing firms. She returned once again to Germany to work with the engravers and publishers they used because they had the best printing plants.

The postcard and greeting card business was doing well, and Clapsaddle was making good money most of which she invested in German printing firms.

World War I
By 1914, the war broke out. The majority of the souvenir/postcard publishers in the United States depended on German supplying firms but once they became disconnected from them, they had to go out of business. Many German factories suffered total destruction from bombings and all of Clapsaddle's recent original artwork was lost along with the investments in those firms because of the destruction of the records and messages going back forth between the continents that never arrived or were never answered. Clapsaddle was totally displaced and could not be found. She was penniless, lost, and alone in a far away land in the middle of the turmoil of the First World War.

By 1915, many firms in the United States, like the Wolf Company, did not have a business any more and in their case, their sole designer-artist was lost in Germany.

Although the United States did not enter the war until 1917. Between 1914 and 1919, Clapsaddle was trapped and unable to leave the country. The end of the engraving and publishing industry in Germany came about suddenly and so did her livelihood and her future—so did her life and spirit and desire to live as she witnessed and suffered the war first hand.[

Post-war
With the end of the war in 1919, nothing was known in the United States about Clapsaddle's fate. One or two of the Wolf brothers borrowed money so they could go to search for her in Europe. She was finally found six months later. By then, she had had a complete mental breakdown as a victim of the war, was wandering through the streets hungry and sick, and her health and spirit were totally broken—she was only 55 years old. When the Wolf brothers approached her, she was so disconnected from the world and reality that she barely recognized them. The Wolf brothers brought her back to the United States.

Unmarried and childless, Clapsaddle had no close relatives. Furthermore, she had spent all of her time and productive years dedicated to her artwork and there was no one to take care of her under those circumstances. The Wolf brothers took care of her as long as they were able and alive but they too died destitute and poor. When they passed on, she was left penniless, alone, unable to work, and mentally incapacitated. She had lost the ability to make a living and her deteriorating health rapidly became a major obstacle.

She was admitted to the Peabody Home for the elderly and destitute on Pelham Parkway in New York City in January 1932. One day short of her 69th birthday in 1934 she died. Like many residents of the home who had no relatives, she was buried in a potters' grave. She died totally destitute through no fault of her own just like the Wolf brothers—innocent victims of the world tragedy of the First World War.

11/9/11

IF A DOG POOPS ON A RUG IN VEGAS does it stay there?


I don't understand Vegas. I don't understand the lure of Vegas. I don't understand the marketing of Vegas. I never will. It seems to be a Jekyll and Hyde sort of place. Bring the kids; don't bring the kids. Pirate ships and fine art; hookers and cheap buffets.

"What happens in Vegas stays in Vegas" leaves me shaking my head. That said...



Click on either image to see them larger.

On the back:
At Systems, Math, Computers All, I’ve been considered apt. But then I laid my money down and what do you know “I crapped”!
The Golden Gate Hotel & Casino:
...opened in 1906 as the Hotel Nevada. In 1907 it was assigned Las Vegas' first telephone with the number 1. In 1931, with gambling being re-legalized in Nevada, the Hotel Nevada was expanded and renamed Sal Sagev (Las Vegas spelled backwards.)

The hotel gained its current name in 1955 when a group of Italian-Americans from San Francisco Bay Area started the Golden Gate Casino. The 106-room, four-story hotel was renovated in 2005.

The Golden Gate was the first to serve a fifty cent shrimp cocktail in 1959, now a Las Vegas cliché. Called the "Original Shrimp Cocktail" on the menu, has become a mainstay of the San Francisco Shrimp Bar and Deli and is a favorite of both locals and tourists. It is what the Golden Gate is best known for. The idea came from owner Italo Ghelfi, who based it on Fisherman's Wharf in San Francisco.

The Original Shrimp Cocktail consists of a regular-sized sundae glass filled with small salad shrimp and topped with a dollop of cocktail sauce. In 1991, the price was raised from 50¢ to 99¢. The price was raised in 2008 to $1.99. Unlike many other Las Vegas establishments that offer a 99-cent shrimp cocktail, the glass is not padded with lettuce or other fillers, which is often cited as the reason for the Original Shrimp Cocktail's popularity. (SOURCE: Wikipedia)
Dogs, shrimp, crap, and gambling. I just don't get it.

11/7/11

JUSTICE IS SWIFT if somewhat confusing


This is an odd vintage post card. The copy on the back doesn't seem to make much sense or provide any guidance as to what this was about.




Click on either image to see it larger.

Here's what I have found.

The manufacturer, Elba Systems based in Denver, created video and audio content for rather dry subject matter. The company was actually E. L. Barrett & Associates dba (doing business as) Elba. I believe this card, titled "The Case That Nobody Won," was for a filmstrip for the Guarantee Mutual Life Co. The image below is from here.

Other exciting Elba titles released as 33-1/3 RPM recordings include:
Bury Me In Eden
Introduction to Modern Tools
and yes, you can even get "The Case That Nobody Won" as a record.

Thinking to yourself, "Well doggone it! I want a copy of this post card!" Spend $1.79 + postage and you can get it here. But better rush because the auction mallet will be coming down within 22 hours. Suitable for framing if you're an attorney with a license from some online diploma mill.

So if you ever do find it hanging on the wall of an attorney you're using try to remember you've been warned.

11/2/11

IT'S ONLY ROCK 'N' ROLL...


but I like it.

I will leave you to figure out who these famous faces are from a 1973 post card.



10/4/11

The PURPLE PROSE of the POTOMAC FALLS


What's truly stunning about this vintage post card is not the image on the front, nor the ornateness on the back, but the purple prose used to describe the scene. The sender was left with little space within which to write their note.
In the wildness of its rock formation amid which the rushing Potomac, after leaping the falls, still churns, eddies and foams into the great gorge below, Great Falls presents from a hundred different points a new surprise of enchanting scenery that makes the hours spent in its vicinity seem composed of winged moments all too fleet.




This card was published by the J.P. Bell Company in Lynchburg, Virginia. Such an unfortunate sounding name for a town except that it's actually named after a man named John Lynch and not what first comes to mind upon seeing the work "lynch."
J.P. Bell Co. (1891-) 
Lynchburg, VA

A printer and publisher of a variety of materials including many books and tinted halftone postcards of regional views. Some of their cards were printed under contract for businesses and groups. While their own printing was not of the highest quality, they had some of their cards printed by other well known publishers like Raphael Tuck & Sons. (SOURCE: Metro Postcard)