2/27/13

MATSON ad, October 1936


There's nothing particularly Polynesian about this ad, and yet that was what they were hoping to sell you. This ad could have just as easily been for Miami. So why weren't the people of Polynesia featured in ads? I don't think I need to delve into the answer for this. I think most people can figure it out. It's a shame, because I'm guessing that when a lot of passengers disembarked from their ship at the Aloha Tower their senses were soon overwhelmed by Hawaii that they dreaded ever returning to their world of browns and grays. Who would want to leave a place full of color and flowers that bloom all year long?


Click on image to see it larger. (SOURCE: The American Magazine, October, 1936)

You can actually buy a sign of this image, sans type, from a company that is licensed to reproduce vintage Matson Liner ephemera. They also have many of the beautiful illustrations Matson commissioned for murals and ephemera. I wish they offered posters instead of signs.


To get a feeling of what it was like to travel on a Matson Liner there is a wonderful book called To Honolulu in Five Days. Full of images of ephemera, it tells the story of your trip to heaven and what it was like once you got there.

2/26/13

MATSON ad, May 1937


For anyone who has followed this odd corner of the universe for any length of time you'll know my love for the Matson Lines and Hawaii back in the 1950s and '60s. If you aren't aware of this and want to bore yourself for a little while just click on some of the label links below.

This ad was the front inside cover of The American Magazine, May, 1937. Obviously there were still enough people who had spendable cash to take trips during the depression. You had to be very well off to go on one of these cruises, or at least been saving your pennies for a long time.


Click on image to see it larger.

I'm always searching for images from the Hawaii I remember. The Hawaii of today is a foreign land. The landmarks, even a couple of my homes, are long gone. But, I know there are others out there who remember these times; military kids who were uprooted from the Mainland and suddenly dropped into paradise. In my searches online I found the Flickr site of Kamaaina56. Hundreds of images of long ago vistas and buildings. I sat for hours looking at them, memories flooding back to a time that I still long for. I miss the magic of the place. It was indeed the most incredible place to be a child.

Stop on over to Tattered and Lost Photographs to see a mystery photo of a hotel in paradise. My problem is which paradise?

2/22/13

ACME BEER in 1944


I won't bother to do any writing about this beer company since everything you could want to know is available here and here.

I can say that I've been to the brewery in Fort Bragg, California, North Coast Brewing Company, which currently owns the rights to the Acme name. Unfortunately I don't drink beer so I can't make any comments about the product.

This ad is the back cover of the 1944 The Playgoer from Montez Lawton's scrapbook.


Click on image to see it larger.

2/21/13

San Francisco Nighclubs 1944: CHINATOWN


Chinatown, in San Francisco, California, is the oldest Chinatown in North America and the largest Chinese community outside Asia. Since its establishment in 1848,it has been highly important and influential in the history and culture of ethnic Chinese immigrants in North America. Chinatown is an enclave that continues to retain its own customs, languages, places of worship, social clubs, and identity. There are two hospitals, numerous parks and squares, a post office, and other infrastructure. Visitors can easily become immersed in a microcosmic Asian world, filled with herbal shops, temples, pagoda roofs and dragon parades. In addition to being a starting point and home for thousands of Chinese immigrants, it is also a major tourist attraction, drawing more visitors annually than the Golden Gate Bridge. (SOURCE: Wikipedia)
In the 1940s nightclubs in Chinatown became very popular with the soldiers passing through town on their way to the Pacific. These ads are all from the Curran Theatre’s The Playgoer magazine that is from Montez Lawton’s scrapbook (click on her name in the labels to see more).



Things get a little confusing when researching these places. In one piece it's stated that Club Shanghai was owned by Fong Wan, a famous Chinese herbalist. He called his shows:
'the Chinese ‘Folies-Bergere’ of the Americas.' He boasted, 'Our entertainment costs more than $2,000 per week' and offered what had become a nearly standardized Chinese-American menu. Still, patrons could order 'other native dishes upon request.' (SOURCE: Flavor and Fortune)
Obviously the problem is that the ad above says it was owned by D.W. Low. I'm throughly baffled, but I'll give you what I found.

To read about the different clubs, the entertainers, and the food visit here and here.


Click on image to see it larger.

There's a variety of ephemera online from some of these places:
here to see the cover of a menu for Shanghai Low,
here to see a postcard of the interior of Club Shaghai,
here to see a postcard of Shanghai Low,
here to see a photo holder for Club Shanghai,
here to see a photo of D.W. Low, owner of Shanghai Low, in traditional Chinese clothing
here for another menu cover of Shanghai Low,
here to see a bit of the exterior of Shanghai Low on Grant Avenue,
and here to see a photo of the interior of Shanghai Low.
Click here to read about Ed Pond, owner of Dragon's Lair.

Click here to see a menu from Club Shanghai featuring a photo of showgirl Miss Lana Wong and the owner, Fong Wan.

I did not find any ephemera for Lion's Den or Dragon's Lair.


Click on image to see it larger.

Sadly, I'm not finding anything definitive about these old clubs. It's just bits 'n' pieces from the past like these old advertisements; places and performers long gone. It would be nice if there was a book about this period in Chinatown featuring the stories and ephemera. Perhaps there is and I just haven't found it.

—————
UPDATE: From reader Willard:
Club Shanghai opened around 1913 by D.W. Low. My father, Fong Wan, who had an interest in this nightclub, took sole ownership of it in 1946 until around 1956.

It was my father who brought Lana Wong from China to perform at his Club Oakland, formerly the New Shanghai Terrace Bowl in Oakland CA before her performing at the Club Shanghai. Barbara Yung, was the featured dancer after Ms. Wong left my father's employ.
Thank you Williard!



2/20/13

San Francisco Nightclub 1944: SLAPSY MAXIE'S and GEORGIE PRICE


There were two Slapsy Maxie nightclubs that were popular back in the ‘40s and 50s. One was located in Los Angeles, the other in San Francisco. This ad is for the San Francisco location and is in the 1944 The Playgoer magazine that Montez Lawton kept in her scrapbook.


Click on image to see it larger.

I’ll give you a little information about the clubs and this fellow with the top billing, Georgie Price.

The clubs were named after American boxer/actor Max Everitt Rosenbloom who was known as "Slapsie Maxie." He was born on November 1, 1907 in Leonard’s Bridge, Connecticut. He died from Paget’s disease of bone on March 6, 1976 in South Pasadena, California. He got the name Slapsie Maxie from a journalist who was making reference to his open gloved boxing style.
Few fighters stepped into the ring more often than Maxie Rosenbloom, who fought 299 times in sixteen years. Raised on the Lower East Side of New York, Rosenbloom left school after third grade and later served time in reform school. Reportedly, actor George Raft spotted the young Rosenbloom in a street brawl and advised him to become a boxer.Rosenbloom had an unusual style. He was a weak puncher and often slapped at his opponents with an open hand—earning him the nickname "Slapsie"—but he was a consummate defensive fighter and did whatever was necessary to avoid getting hit. He won the vast majority of his fights, although he only recorded nineteen knockouts in his entire professional career. (SOURCE: Harry Greb
In 1930, he won the New York light heavyweight title. In 1932, he won the Light Heavyweight Championship of the World. He held and defended the title until November 1934, when he lost it to Bob Olin.As a professional boxer, Rosenbloom relied on hitting and moving to score points. He was very difficult to hit cleanly with a power punch and his fights often went the full number of required rounds. In his boxing matches he suffered thousands of head punches, which eventually led to the deterioration of his motor functions. (SOURCE: Wikipedia
The story goes that the club was owned by mobster Mickey Cohen, but according to this December 1, 2011 article in the L. A. Times by Patrick Goldstein, that’s not the story.
According to most historical accounts, Maxie Rosenbloom, a former prizefighter, was simply the front man for Cohen, who actually owned the joint. In the film (The Gangster Squad), Cohen has a special table at the club, which has his bookmaking operations housed upstairs. But the nightclub's ownership history turns out to be more complicated than I realized.
After my story ran, I got an email from Marti Devore, setting me straight. Even though the club was originally in Cohen's hands, from 1947 through 1950 it was owned by Sy Devore and his older brother, Al. Marti, who is Al's daughter and Sy's niece, is the Devore family's unofficial historian, which, as it turns out, makes her something of an expert on Hollywood history too.

Her uncle Sy, who ran a men's store originally located on Vine near Sunset, was known for years as Hollywood's "tailor to the stars." Born in Brooklyn, Sy Devore was a natural-born hipster, operating a store in New York, at Broadway and 42nd Street, before he moved west.

Sy spent a lot of time in Harlem, running with the likes of Count Basie, Ella Fitzgerald and the Dorsey brothers, who bought their threads at his store and were the ones who told him that he'd be a natural fit in Hollywood. So he moved west, doing custom tailoring and throwing parties. His regular showbiz customers included Frank Sinatra and most of the Rat Pack as well as Bob Hope and Nat King Cole. Being flush with cash, they made Sy a lot of money. Marti says that Jerry Lewis used to boast that after hitting the bigtime, he bought 100 suits from Sy in 1949 alone.

Being so good at hanging out, it was inevitable that Sy would try his hand at running a nightclub. He knew Slapsy Maxie well—according to Marti, the ex-boxer turned bit actor showed up nearly every day at a barber shop that was located inside Sy's Vine Street store. So Sy and Al bought themselves a nightclub. (SOURCE: LA Times)
Click here to see a photo of the outside of the Los Angeles club.

I’m finding very little about the San Francisco club other than this from Billboard magazines August, 8, 1942 edition:


Here is an interior photo from 1942 of the San Francisco club.


You can see matchbook covers from the San Francisco and Los Angeles clubs here, here, and here.

And here and here are the outside of a photo holder.

Here is a video of Jerry Lewis recalling his appearance with Dean Martin at the Copa in New York and in Los Angeles at Slapsy Maxie’s.



Now, Georgie Price, headliner at the San Francisco Slapsy Maxie’s.

Georgie was born on January 5, 1901 in New York City. He died from a heart attack on May 10, 1964 in New York City.
When Georgie was born, his mother missed work as janitor of the building, and the landlord evicted the entire family of 11, carrying Mrs. Price and Georgie into the street in her bed. A famous lady social worker saved them, letting the family return home.

Georgie started singing and dancing on the streets and subways of New York at a very early age, and in 1907, accompanied an older brother on his dry-cleaning delivery rounds. He sang for the wife of Gus Edwards, a Vaudeville entrepreneur, and was adopted by the Edwards, thereafter taking Edwards as a middle name. He and "Lila Lee" starred as "Little Georgie and Cuddles" in Gus Edwards song review, "School Days". Surrounded and adored by old-timers of Vaudeville, he mastered many arts, including tap dancing, soft shoe, gag-writing, double-talk, and especially imitation, at which he was regarded as one of the best, not only for his accents and voices, but also for his ability to imitate dancers, singers (including Enrico Caruso, who offered to adopt him), and entertainers of the past—as taught to him by those who remembered them best.

He fell on hard times during his adolescence, when though short, he could no longer play children. Bribing an elevator operator at the Shuberts' office building, he donned the operator's uniform, and imprisoned one (or more) of the Shuberts between floors, just long enough to audition. He became their "headliner", replacing Al Jolson, and later became the first non-classical singer to get a long-term recording contract with RCA Victor.

In the Thirties, he took the advice of his friend Bernard Baruch to buy a seat on the New York Stock Exchange, beginning a second career, but continued on in show business, notably as president of The American Guild of Variety Artists, as a frequent emcee of charitable fund-raisers, as the host of "The Big Time", a CBS radio show in the early Fifties, and as a spokesman for Vaudeville and retired Vaudevilleans. (SOURCE: IMDb, Marshall Price)
Click here to read more about Georgie Price.

Here is an old Vitaphone video featuring Georgie.



Again, an old piece of paper has lead me on an interesting journey.