WHICH PAPER DOLL is this?

I've posted this photo at my other blog, but thought that ephemera collectors, especially those who collect paper dolls would enjoy seeing it. What makes this snapshot unusual is that the little girl is holding a paper doll. It's pretty common to find photos of children with dolls, but not paper dolls. I'm sure some eagle eyed reader who collects paper dolls will be able to figure out which doll it is.


Click on image to see it larger.


Click on image to see it larger.

This photo is from the Betty Schnabel estate sale and is in her mother's photo album.

BUCKAROOS AND BUCKARETTES

Do you have memories of riding the range though you never left your neighborhood? You might have been a buckaroo or buckarette.

Do you remember thinking you could vanquish the bad guys with a song in your heart and a six-gun on your hip? You might have been a buckaroo or buckarette.

Do you remember singing Happy Trails and knowing all the words? You might have been a buckaroo or buckarette.

Introducing the latest volume in the Tattered and Lost series of vintage snapshot books available at Amazon. Tattered and Lost: Buckaroos and Buckarettes should easily fill that void of forgotten memories when all kids dreamt of joining their heroes Roy, Gene, Hoppy, and Annie. You'll smile, you'll laugh, you'll wonder how you ever lost the dream.

Need a special gift for someone? Tattered and Lost: Buckaroos and Buckarettes might just be what you're looking for. Sure to start conversations for people of any age.

104 pages with 94 photos, available at Amazon. Photos from the early part of the 20th Century through the early 1960s.

REPRINTS! REPRINTS! REPRINTS! in 1963

A long time ago, in what seems like a different universe, if you wanted reprints of a photo to which you did not have a negative…and you got magazines…and you looked at the tiny ads in the back…












(SOURCE: ‘TEEN, October 1963)

Explain to me how these “companies” made money if within a few pages, and often on the same page, there were 14 ads for photo processing? How was a girl to choose?

I did have one friend who sent in a photo of herself and got back a packet of prints. They were fine. She handed them out to everybody. I think I might still have it, but as usual have no idea of where it might be.

KNOTT what it seems

This post is a companion piece to this week’s Sepia Saturday post at Tattered and Lost Vernacular Photography.

The following images are all from Knott’s Berry Farm located in Buena Park, California.

I first went to Knott’s Berry Farm in the early 1950s, before Disneyland was even open. I have two vivid memories; one involved the train, the second involved the jail.

This lovely old train was one of the few rides in the park. I don’t remember why only my mother and I went on it, but I can tell you I was screaming at the top of my lungs before it was over. Everything seemed to be fine and dandy as the train moved around the park grounds. And then THEY came aboard with guns drawn, kerchief masks over the faces. They were train robbers and I thought it was all very real. I was terrified as they came down the aisle demanding our valuables. I don’t know how my mother got me calmed down, but we forever remembered that ride.

Click on any image to see it larger.

The second memory involves my grandfather and the trick he played on me. Behind some old buildings on the main street is the old jail. You walk up a wooden sidewalk and look inside to see the poor fellow below. Again, I was a little girl, probably around 4 or 5. Imagine my surprise when I looked through the jail house door window and the prisoner, Sad Eye Joe, started talking to me, using my name. How could he possibly know who I was? My folks stood by laughing. I was creeped out. And for some reason my grandfather was no where to be found. It wasn’t until I was older that my folks let me in on the “secret.” Anyone could go to the building in front of the jail and give a man the name of someone who was approaching the jail door. Then this fellow would start talking into a microphone as you looked in the door. I got to finally do it to a friend in the early ‘70s. She was old enough to know the dummy was not talking, but it took her awhile to figure out how it had happened. I have a photo of her peeking through the door. I just wish I had a photo of the look on her face when she turned around.

Click on image to see it larger.

I haven’t been to Knott’s Berry Farm in a very long time. I have such good memories of how it used to be before it became just another park with rides. It was a gem when life was slower. Chickens roamed around the parking lot, long lines of people waited to eat in the chicken restaurant (not to go on rides), and just walking up and down the dirt covered streets with the old buildings was an adventure. As to the parking lot chickens…I have no idea if the lot was searched each night for road kill to serve the next day at the chicken restaurant.

Click on either image to see it larger.

BROWN ANGELS and THE SCRAPBOOK OF FRANKIE PRATT

I’ve got two books to recommend you might be interested in if you love vernacular photography and ephemera.

The first, Brown Angels, is a small book of original poetry by Walter Dean Myers coupled with really wonderful photos of African-American children from the early 20th century. I found it in a used bookstore after Christmas and fell in love with the images before I'd even read the poems. It’s a really sweet and joyous children’s book, but being a collector of vernacular photography I knew I needed to add it to my collection of photo books, not just my children’s book collection.

The second, The Scrapbook of Frankie Pratt: A Novel in Pictures, is simply a lot of fun. Author Caroline Preston has taken ephemera from her collection and created a “novel” telling the story of young Frankie Pratt from her teen years to early 20s. Page after page of what appears to be her scrapbook, a story unfolds of young Frankie’s life as she longs to be a writer. Love, college, Paris, and again love provide the storyline. I really can’t say enough about it. Wonderful images throughout and a real treasure trove for artists looking for inspiration.

To see more about either book you can click on the links in the left column to read reviews at Amazon.

VULTEE VANGUARD P-48

This vintage postcard of a Vultee Vanguard P-48 is a real photo post card. It is signed by the photographer "©1941 W. J. Gray. LA" the LA standing for Los Angeles. I'm not finding any information about W. J. Gray other than some cards for sale of movie stars, planes, planes, and General MacArthur. If anyone has links to information I'd appreciate them.

As to the Vultee Vanguard P-48, here's a brief bit of information from Wikipedia:

The Vultee P-66 Vanguard was an accidental addition to the USAAF's inventory of fighter aircraft. It was initially ordered by Sweden, but by the time the aircraft were ready for delivery in 1941, the United States would not allow them to be exported, designating them as P-66s and retaining them for defensive and training purposes. Eventually, a large number were sent to China where they were pressed into service as combat aircraft with indifferent results.

The Vultee Vanguard was the product of an idea conceived in the late 1930s by the Vultee Aircraft Division of the Aviation Manufacturing Corporation of developing four aircraft designed for different roles from a set of common wings and aft fuselage and tail assemblies. The company assigned four model designations: V-48 to a single seat fighter, BC-51 to a basic combat trainer, B-54 to an advanced trainer, and BC-54D as a basic trainer. Eventually the BC-51 would become the Army Air Corps BC-3 and the BC-54D, the BT-13.

In 1938, Richard W. Palmer started the detailed design of the V-48 fighter member of the quartet. The aircraft featured a metal covered, semi-monocoque fuselage and fully retractable landing gear powered by a Pratt & Whitney R-1830 radial air-cooled engine. During construction of the first prototype, a decision was made to lengthen the propeller shaft and install a tight cowling to provide a pointed nose to reduce drag. The first aircraft flew in September 1939, and was assigned registration number NX21755. The fighter was named the Vanguard.

Flight tests revealed the aircraft was suffering from inadequate cooling. Measures to modify the cooling ducting were of little avail. After re-evaluating the design, and noting that the insignificant drag decrease was not worth the added weight and ducting problems, the second prototype, which was assigned the model number V-48X and registration NX19999, was modified with a conventional cowl and the first aircraft were similarly modified. The second aircraft first flew on 11 February 1940. As a result of flight tests, a number of changes were made to the design including substantially increasing the areas of the horizontal and vertical tail surfaces. (SOURCE: Wikipedia)

I see that this same post card is for sale on ebay from around $6 to $15.

The BROWNIE HAWKEYE CAMERA

Today at my vernacular photography blog, Tattered and Lost Vernacular Photography, I've posted the entire pamphlet that came with the Kodak Brownie Hawkeye camera and a photo of some woman holding one. I decided to post the pamphlet here since it's technically ephemera. Step on over to the other site to see the woman with her cigarette and camera taken in 1955. Classic.

Click on any image to see it larger.