Another album I heard a lot as a child was Ritual of the Savage by Les Baxter. Sometimes the living room just wasn't large enough for my dance moves. I was a skinny little blue eyed blond with a soul calling out for Exotica and Mahalia Jackson. Even my mother called me weird.

Click on any image to see it larger.

Les Baxter (March 14, 1922 – January 15, 1996) was an American musician and composer.

Baxter studied piano at the Detroit Conservatory before moving to Los Angeles for further studies at Pepperdine College. Abandoning a concert career as a pianist, he turned to popular music as a singer. At the age of 23 he joined Mel Tormé's Mel-Tones, singing on Artie Shaw records such as "What Is This Thing Called Love?".

Baxter then turned to arranging and conducting for Capitol Records in 1950, and conducted the orchestra of two early Nat King Cole hits, "Mona Lisa" and "Too Young", but both were actually orchestrated by Nelson Riddle. (In later releases of the recordings the credit was corrected to Riddle. Not an uncommon practice these days: Baxter himself had arranged Nat King Cole's "Nature Boy" in 1947 for a recording conducted by Frank De Vol. In 1953 he scored his first movie, the sailing travelogue Tanga Tika. With his own orchestra, he released a number of hits including "Ruby" (1953), "Unchained Melody" (1955) and "The Poor People Of Paris" (1956). He also achieved success with concept albums of his own orchestral suites: Le Sacre Du Sauvage, Festival Of The Gnomes, Ports Of Pleasure, and Brazil Now, the first three for Capitol and the fourth on Gene Norman's Crescendo label. The list of musicians on these recordings includes Plas Johnson and Clare Fischer.

Baxter also wrote the "Whistle" theme from the TV show Lassie.

Baxter did not restrict his activities to recording. As he once told Soundtrack! magazine, "I never turn anything down".

In the 1960s, he formed the Balladeers, a besuited and conservative folk group that at one time featured a young David Crosby. He operated in radio as musical director of The Halls of Ivy and the Bob Hope and Abbott and Costello shows.

Like his counterparts Henry Mancini and Lalo Schifrin, Baxter later worked for the film industries from 1960s to 70s. He worked on movie soundtracks for American International Pictures where he composed and conducted scores for Roger Corman's Edgar Allan Poe films and other horror stories and teenage musicals, including The Pit and the Pendulum, The Comedy of Terrors, Muscle Beach Party, The Dunwich Horror, and Frogs. Howard W. Koch recalled that Baxter composed, orchestrated, and recorded the entire score of The Yellow Tomahawk (1954) in a total of three hours for $5,000.

When soundtrack work reduced in the 1980s, he scored music for theme parks and SeaWorlds. In the 1990s, Baxter was widely celebrated, alongside Martin Denny and Arthur Lyman Group, as one of the progenitors of what had become known as the "exotica" movement. In his 1996 appreciation for Wired magazine, writer David Toop remembered Baxter thus:

Baxter offered package tours in sound, selling tickets to sedentary tourists who wanted to stroll around some taboo emotions before lunch, view a pagan ceremony, go wild in the sun or conjure a demon, all without leaving home hi-fi comforts in the white suburbs.

Les Baxter has a motion picture star on the Hollywood Walk of Fame at 6314 Hollywood Blvd. (SOURCE: Wikipedia)
Click on the Wikipedia link above to see a list of his recordings. Click here to read more about Baxter. And click here to go to the official Les Baxter site.

As to the cover artist, who I believe is William George (1930-):

William George is a world-famous illustrator who studied with Norman Rockwell and began his career painting covers for magazines such as Argosy and Cavalier, as well as for paperback westerns and crime novels by authors such as Zane Grey, Louis L’Amour, and Edgar Rice Burroughs. He has been commissioned to paint portraits of figures ranging from Charlton Heston and Bette Davis to Cole Porter and Frank Sinatra and his art has appeared in publications ranging from Reader’s Digest to The Saturday Evening Post and Life magazine. His work can currently be found in a number of art galleries. (SOURCE: Hard Case Crime)
Click here to read a bit more about the artist. And click here to see what I believe may be a photo of him. If anyone else has anything to contribute about William George just let me know.

Now on to some Exotica. As I said the other day, kick off your shoes and go native. Dance baby, dance!

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