Showing posts with label vintage record cover. Show all posts
Showing posts with label vintage record cover. Show all posts

7/29/11

KORLA PANDIT and the BLUES


We had a lot of odd and interesting things that ended up in the family cabin from other folks cabins. Friends sold and moved away and we got items they didn't want. Oh how fortuitous was that? How else would I have ended up with this Korla Pandit album?

Korla Pandit was an organist who is all but forgotten by most people. If you're around 60 you might recall the name and the image, but not the music. If you're in your 80's to early 90's he was your contemporary and you most likely heard him on the radio or television.

I actually only have vague memories of him. I hear the name "Korla Pandit" and I think turban. Who knew the whole bit with the turban was fake? Not me.








Korla Pandit (September 16, 1921 – October 2, 1998), born John Roland Redd in St. Louis, Missouri, was a musician, composer, pianist, organist and television pioneer. He was known as the Godfather of Exotica.

His first work for radio was in 1938 with the Central Broadcasting Company in Des Moines, Iowa. Arriving in Los Angeles, California by 1939, John Roland Redd donned a turban and performed under the name Juan Rolando. His sister, Frances Redd, was an actress in the film Midnight Shadow (1939), and his turban resembled the one worn by John Criner's character, Prince Alihabad, in Midnight Shadow.

During the mid-1940s, as Juan Rolando, he played the organ on the Los Angeles radio station KMPC, and he performed in various supper clubs and lounges. He also was heard on Jubilee, the program of black jazz and swing bands transcribed by the Special Services of the War Department for airing to WWII servicemen overseas.

In 1944, he married Disney artist Beryl June DeBeeson, and the two reinvented his image, eventually replacing "Juan Rolando" with "Korla Pandit" and fabricating a romantic history for him as a baby born in New Delhi, India to a Brahmin priest and a French opera singer, who traveled from India via England, finally arriving in the United States.

In 1948, while performing in Hollywood at a furrier's fashion show in Tom Breneman's Restaurant, Korla and Beryl met television pioneer Klaus Landsberg who offered Korla his own 15-minute daily television show with the stipulation that he would also provide musical accompaniment for , Bob Clampett's popular puppet show which featured Stan Freberg and Daws Butler as puppeteers and voices. Korla and Beryl's son, Shari Pandit, was born August 5, 1948.

Korla Pandit's Adventures In Music was first telecast on Los Angeles station KTLA in February 1949, and viewers soon became familiar with the musical opening, "The Magnetic Theme." Landsberg insisted that Korla not speak but instead simply gaze dreamily into the camera as he played the Hammond organ and Steinway grand piano, often simultaneously. Following Klaus's directorial and contractual stipulations, Pandit became an overnight star and one of early television's pioneering musical artists.

In 1951, Pandit left KTLA in a deal with Louis D. Snader of Snader Telescriptions, resulting in short films which gave Pandit a national TV audience. However, problems with contract negotiations prompted Snader to replace Pandit with Liberace by 1953, which launched the pianist to fame. Pandit then did a show on KGO in San Francisco.

In the 1970s, when his television popularity waned, Pandit supplemented his income with increased personal appearances at supper clubs, supermarket openings, car agencies, music and department stores, pizza restaurants, lectures, music seminars, private lessons and the theater organ circuit. He made a cameo appearance in Tim Burton's biographical film, Ed Wood (1994), playing himself. (SOURCE: Wikipedia)
I'm trying to imagine how all of this worked. Did he do a fake Indian accent when he made appearances? Exactly how much did he stay in character? I have no idea.

To see more about Korla go to the Korla Pandit website which was run by a fan.

Enjoy!

5/17/11

PAL JOEY meet Gypsy Rose Lee


This post relates to yesterday's post which relates, sort of, to my vernacular photography post. The thread runs through one of Gypsy Rose Lee's outfits. Actually it doesn't, but it made sense to me a minute ago. Now, not so much.

Yesterday's post was about Gypsy Rose Lee and a vintage paperback of the book she wrote that became the inspiration for the Broadway musical Gypsy. If you read any of the bio info about her you'll have seen this:
Trying to describe what Gypsy was (a "high-class" stripper), H. L. Mencken coined the term ecdysiast. Her style of intellectual recitation while stripping was spoofed in the number "Zip!" from Rodgers and Hart's Pal Joey, a play in which her sister June appeared.
Well, I give you Pal Joey. This is a recent 80 cent purchase at a thrift store. It's not in perfect condition, the first track skips a few times, but all 'n' all a decent listen with some great songs. I don't believe I've ever seen the movie. It's not scheduled for anytime this month so I'll just have to put it on my list of films to watch for.

Click on any image to see it larger.

Pal Joey_LP_ft_tatteredandlost
Cover illustration by Maurice Thomas

Pal Joey LP_bk_tatteredandlost

Paly Joey_LP_tatteredandlost
Capitol record label_tatteredandlost

Pal Joey_songs_tatteredandlost

So besides Gypsy, what else does this piece of ephemera have in common with some of my older posts? Okay, Sinatra is an easy one (here, here, and here). The other link has to do with the illustrator of this cover, Maurice Thomas. Though I cannot find any biographical information about him, I can find a few more pieces of work he did, including a cover for an A. A. Fair novel. A. A. Fair is Earl Stanley Gardner. If you've been here the past year you might remember the variety of Earl Stanley Gardner/Perry Mason books I featured. To see a Fair/Gardner cover illustration by Maurice Thomas click here. And to see two other pulp novel covers he illustrated click here and here. Here is a cover he did for a men's pulp magazine. And here is one he did of Jimmy Stewart for a movie poster.

And now, Rita Hayworth doing "Zip" from Pal Joey inspired by Gypsy Rose Lee's taking off her threads.

3/16/11

HIGH SOCIETY with COLE PORTER


Stopped by the thrift store the other day and bought a few albums, all movie scores. When I saw this one in the bin I nearly leapt across the room. I grabbed it, never putting it down, worried someone else would try to mooch my score. Of course, there wasn't a single person in the place who gave a pip or a squeak about Cole Porter. I left, anxiously awaiting the tunes coming from my turntable.

High Society album_ft_tatteredandlost

High Society allbum_bk_tatteredandlost
Click on either image to see it larger.

The movie High Society is a musical remake of The Philadelphia Story. It is not as wonderfully wicked as The Philadelphia Story, but the music and performances are grand.



High Society (1956) is a musical film made by Metro-Goldwyn-Mayer in VistaVision and Technicolor with music and lyrics by Cole Porter. It was directed by Charles Walters and produced by Sol C. Siegel from a screenplay by John Patrick, based on the play The Philadelphia Story by Philip Barry. The cinematography was by Paul Vogel, the art direction by Cedric Gibbons and Hans Peters and the costume design by Helen Rose. It was the last film appearance of Grace Kelly, before she became Princess consort of Monaco.

Plot
The successful jazz musician C.K. Dexter Haven (Bing Crosby) is divorced from wealthy Newport, Rhode Island socialite Tracy Samantha Lord (Grace Kelly), but remains in love with her. She, however, is about to get married to a bland gentleman of good standing, George Kittredge (John Lund).



Spy Magazine, in possession of embarrassing information about Tracy's father, is permitted to send a reporter (Frank Sinatra) and a photographer (Celeste Holm) to cover the nuptials. Tracy begins an elaborate charade as a private means of revenge, pretending that her Uncle Willy (Louis Calhern) is her father (Sidney Blackmer) and vice versa.

The reporter, Mike Connor, falls in love with Tracy. She must choose between three very different men in a course of self-discovery.

Score and Songs
The score is interesting for a number of respects. It was Porter's first new film score for over ten years and introduced a couple of pop standards, including True Love and You're Sensational. Not only did Sinatra and Crosby collaborate for the first time, but behind the scenes two master orchestrators -- Conrad Salinger and Nelson Riddle -- melded their distinctive arrangements under the baton of Johnny Green. Armstrong and his band get a couple of standout moments and Kelly makes an impressive singing debut.

A long playing record of the soundtrack songs was released the same year and was a major success in both America and Great Britain. It has been said that one of the main reasons star Frank Sinatra was drawn to the film was a mock-tipsy duet with his boyhood idol Bing Crosby on Well, Did You Evah!, a song added at the last minute when it was noted that the two singers didn't have a duet to perform in the film. Culturally, the song Who Wants to Be a Millionaire? has gained new significance as the source of the title of the popular gameshow. I Love You, Samantha has also become a jazz favorite for improvisations. (SOURCE: Wikipedia)

3/5/10

Happy Birthday!


For my best friend. And yes, it contains all four records. And no, I can't play them. My turntable won't play 78s.

Danny Kaye 78s_front cover_tatteredandlost
Danny Kaye 78s_inside cover
Click on either image to see it larger.

Songs:
Let's Not Talk About Love / Minnie the Moocher
Farming / Anatole of Paris
The Babbitt and the Bromide / The Fairy Pipers
Eileen / Dinah