A movie tie-in book. Love collecting these. Pointless, but always fun to find one.
So how would you feel to have gotten a part in the movie, your image on the cover of the book, but then no information given as to who you are? People in the movie who aren't on the cover got credit, but the lone fellow on the right is left out. I'm a guessin' he's thikin' somethin' along the lines of, "I think I'd better talk to my agent."
My father had a friend who was Cherokee. The man loved to read and watch Westerns; a passion they shared. After he passed, his widow called dad and asked if he'd like to have a box of Louis L'Amour paperbacks. Dad is never one to jump to a "yes", so I said it for him. He frowned at me, but enjoyed reading all of the books.
I'll be featuring some of the covers. They date mainly back to the 1970s.
This cover was done, I believe, by David J. Blossom (1927-1995), son of Earl Blossom (1891-1970).
He was born in Chicago, Illinois but lived most of his life on the east coast, growing up in Rye, New York and Weston, Connecticut. He lived in Westport and Southport, Connecticut until 1963, when he moved with his family to Weston, where he lived until his death in 1995.
He worked at Young & Rubicam as an art director (for the Ford Motor Company and Pan American Airways accounts) until moving to Weston, CT when he became a freelance illustrator. (SOURCE: AskArt)
He was known for illustrating Romance and Western covers.
Click here and here to see examples of Romance book covers; specifically nurses. And click here to see other examples of this cover as movie tie-in paperbacks.
This book is as relevant today as when first published in 1953. Good books by great authors always are.
This is one of the few movie-tie-in books that I actually bought when I was in college. I highly recommend it along with the 1966 film directed by Francois Truffaut starring Oskar Werner and Julie Christie. I checked to see if it would be on this month, but no luck.
Click on any image to see it larger.
Fahrenheit 451 is a 1953 dystopian novel by Ray Bradbury. The novel presents a future American society where books are outlawed.
The novel has been the subject of various interpretations, primarily focusing on the historical role of book burning in suppressing dissenting ideas. Bradbury has stated that the novel is not about censorship, but a story about how television destroys interest in reading literature, which leads to a perception of knowledge as being composed of factoids, partial information devoid of context.
François Truffaut wrote and directed a film adaptation of the novel in 1966. At least two BBC Radio 4 dramatizations have also been aired, both of which follow the book very closely.
In 1947, Bradbury wrote a short story titled "Bright Phoenix" (later revised for publication in a 1963 issue of The Magazine of Fantasy & Science Fiction). Bradbury expanded the basic premise of "Bright Phoenix" into The Fireman, a novella published in the February 1951 issue of Galaxy Science Fiction. First published in 1953 by Ballantine Books, Fahrenheit 451 is twice as long as "The Fireman." A few months later, the novel was serialized in the March, April, and May 1954 issues of Playboy. Bradbury wrote the entire novel in the basement of UCLA's Powell Library on a pay typewriter that he rented for a fee of ten cents per half an hour. (SOURCE: Wikipedia)
Click here to see a video showing much more interesting scenes than the rather hokey trailer above.
(Photo below of Ray Bradbury by Alan Light)
Ray Douglas Bradbury (born August 22, 1920) is an American fantasy, horror, science fiction, and mystery writer. Best known for his dystopian novel Fahrenheit 451 (1953) and for the science fiction stories gathered together as The Martian Chronicles (1950) and The Illustrated Man (1951), Bradbury is one of the most celebrated among 20th and 21st century American writers of speculative fiction. Many of Bradbury's works have been adapted into television shows or films.
Bradbury was born in 1920 in Waukegan, Illinois to Esther Moberg Bradbury, a Swedish immigrant, and Leonard Spaulding Bradbury, a power and telephone lineman.
Ray Bradbury is related to the American Shakespeare scholar Douglas Spaulding. He is also directly descended from Mary Bradbury, who was tried, convicted and sentenced to hang as a witch in Salem, Massachusetts in 1692. She was married to Captain Thomas Bradbury of Salisbury, Massachusetts.
Bradbury was a reader and writer throughout his youth who was greatly influenced by the writings of Edgar Allan Poe. Bradbury was especially impressed with Poe's ability to draw readers into his works. In his youth, he spent much time in the Carnegie library in Waukegan, Illinois, reading such authors as H.G. Wells, Jules Verne, and his favorite author, Edgar Rice Burroughs who wrote novels such as Tarzan of the Apes and The Warlord of Mars. He loved Burroughs' The Warlord of Mars so much that at the age of twelve he wrote his own sequel. An aunt read him short stories when he was a child. He used this library as a setting for much of his novel Something Wicked This Way Comes, and depicted Waukegan as "Green Town" in some of his other semi-autobiographical novels—Dandelion Wine, Farewell Summer—as well as in many of his short stories.
He attributes to two incidents his lifelong habit of writing every day. The first of these, occurring when he was three years old, was his mother's taking him to see Lon Chaney's performance in The Hunchback of Notre Dame. The second incident occurred in 1932, when a carnival entertainer, one Mr. Electrico, touched the young man on the nose with an electrified sword, made his hair stand on end, and shouted, "Live forever!" It was from then that Bradbury wanted to live forever and decided on his career as an author in order to do what he was told: live forever. It was at that age that Bradbury first started to do magic. Magic was his first great love. If he had not discovered writing, he would have become a magician.
The Bradbury family lived in Tucson, Arizona in 1926–27 and 1932–33 as the father pursued employment, each time returning to Waukegan, but eventually settled in Los Angeles in 1934, when Ray was thirteen.
Bradbury graduated from Los Angeles High School, where he took poetry and short story writing courses that furthered his interest in writing, but he did not attend college. Instead, he sold newspapers at the corner of South Norton Avenue and Olympic Boulevard. In regard to his education, Bradbury said:
“Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.”
It was in UCLA's Powell Library, in a study room with typewriters for rent, that Bradbury wrote his classic story of a book-burning future, Fahrenheit 451. (SOURCE: Wikipedia)
In 1966 my neighbor was addicted to Dark Shadows. There was no point even trying to talk to her between 4 and 4:30. Dark Shadows came on and she shut out the world. I, on the other hand, was not a fan of the show. I’ve never cared for vampires. I’m easily frightened. In the case of Dark Shadows I was frightened by the boring story and melodramatic acting. It just wasn’t for me.
Dark Shadows is an American gothic soap opera that originally aired weekdays on the ABC television network, from June 27, 1966, to April 2, 1971. The show was created by Dan Curtis. The story bible, which was written by Art Wallace, does not mention any supernatural elements. It was unprecedented in daytime television when ghosts were introduced about six months after it began.
The series became hugely popular when vampire Barnabas Collins (Jonathan Frid) appeared a year into its run. Dark Shadows also featured werewolves, zombies, man-made monsters, witches, warlocks, time travel, and a parallel universe. A small company of actors each played many roles (as actors came and went, some characters were played by more than one actor). Major writers besides Art Wallace included Malcolm Marmorstein, Sam Hall, Gordon Russell, and Violet Welles.
Dark Shadows was distinguished by its vividly melodramatic performances, atmospheric interiors, memorable storylines, numerous dramatic plot twists, unusually adventurous music score, and broad and epic cosmos of characters and heroic adventures. Now regarded as something of a camp classic, it continues to enjoy an intense cult following. Although the original series ran for only five years, its scheduling as a daily daytime drama allowed it to amass more single episodes during its run (1,225) than most other science-fiction/fantasy genre series produced for English-language television, including Doctor Who and the entire Star Trek television franchise. (SOURCE: Wikipedia)
Now with the looming debut on May 11th of the Tim Burton/Johnny Depp version of Dark Shadows there will probably be a lot of talk about the original show and its fans. For those who are hardcore fans from the 1960s I think they might end up offended that comedy is front and center in this version. There were a lot of us who thought the original was funny, unintentionally funny.
I found this tv tie-in book at my post office book exchange table. There were thirty-two books in the series.
Dark Shadows Books (1966-72)
The Paperback Library began releasing novels based on the TV series Dark Shadows in December 1966. There were thirty-three novels released through to 1972, all of them written by Dan Ross under the pen name Marilyn Ross.
All of the novels, with the exception of House of Dark Shadows were part of one shared continuity separate from the history supplied in the original television series. House of Dark Shadows was an adaptation of the MGM film, House of Dark Shadows and as such, represented a separate continuity.
Many of the 1st printings of the novels featured covers with production stills from the television show. Invariably, the photographs represented on the covers had little if anything to do with the actual stories inside. (SOURCE: Wikipedia)
The one actor I remember from the show is Jonathan Frid who played the vampire Barnabas Collins. Wondering what became of him I found that he died just a few weeks ago from an accidental fall. Sad that he won’t be around to revel in the reintroduction of the character he created.
I will admit that I watched the NBC remake of the show in 1991 with Ben Cross as the vampire. Ben Cross was the reason I watched the show, though after a few episodes I was again having trouble with the whole story. I’ve never been a fan of gothic romance. I’ve never been able to imagine myself as a lady running away from a dark castle. I would have been too clumsy for that and would most assuredly have fallen and been caught by the vampire. And I’m not fond of blood dripping from someone’s neck, most especially my own.
This past weekend Run Silent, Run Deep was on TCM. I haven't seen the film in several years so I recorded it. There's something about submarine movies, and this one is great. Do like submarine movies. Das Boat is probably my favorite.
The book by Commander Edward L. Beach Jr. was published in 1955. The film, starring Clark Gable and Burt Lancaster was released in 1958 through Lancaster's production company. This movie tie-in paperback was published in 1958.
Beach's bestselling novel of submarine warfare begins soon before the attack on Pearl Harbor. The story is ostensibly the transcription of a Navy tape recording, as related by Commander Edward J. Richardson for use in a war bond drive, of events resulting in his award of the Medal of Honor.
The captain of an old submarine used for training at New London, Connecticut, Richardson and his crew are assigned to fit out and commission a new submarine, the USS Walrus, and take her to Pearl Harbor to destroy Japanese shipping in the Pacific Ocean. His executive officer and former best friend, Jim Bledsoe, is resentful because Richardson was forced to fail him during Bledsoe's qualification for comand after Bledsoe acted recklessly, nearly sinking their boat. Adding to the difficulties between them, Richardson is secretly enamoured of Bledsoe's fiancee, Laura Elwood, who despises him for ruining Bledsoe's chance. Laura and Jim wed just before Walrus departs New London.
During their first war patrol in the Walrus, they encounter the Japanese destroyer Akikaze, whose skipper, Captain Tateo Nakame (nicknamed "Bungo Pete"), is responsible for a series of sinkings of several American submarines in the Bungo Suido, including the USS Nerka, which had been commanded by a close friend. Richardson, wounded in a subsequent encounter with Bungo, remains at Pearl Harbor while Bledsoe commands the Walrus for three war patrols. Bledsoe establishes a reputation for himself as an aggressive skipper with a good rate of sinkings. Between patrols, Bledsoe has an extramarital affair at Pearl Harbor, causing Richardson anguish for Laura's sake. During its next patrol, however, Walrus becomes Bungo Pete's seventh victim.
During his stint ashore, Richardson works on solving reliability problems with American torpedoes. Richardson is given a new command, USS Eel, when her skipper comes down with tuberculosis. When the news of the loss of Bledsoe and the Walrus arrives, Richardson convinces his superiors to let him hunt Bungo Pete in the Eel. A great battle ensues in a raging storm between the Eel, fighting on the surface, and Bungo Pete's special anti-submarine warfare group, which consists of a Q-ship, a Japanese submarine, and the Akikaze. After sinking all three vessels, Richardson discovers three lifeboats in the vicinity and realizes that Bungo Pete and his skilled specialists will be rescued to resume their hunting. He intentionally rams the lifeboats.
Soon after the destruction of Bungo Pete, the Eel is detailed to lifeguard duty off Guam, where Richardson's actions saving three aviators earns him the Medal of Honor. After the war he returns home, expressing his hope to begin a relationship with Laura Bledsoe.
The novel was on The New York Times Book Review list for several months.
Beach served on submarines in the Pacific Ocean during the war, and this adds to the realism of the story. He composed two sequels to Run Silent, Run Deep: Dust on the Sea (1972), a third person narrative detailing later patrols of the Eel, and Cold is the Sea (1978), about Richardson's later career in nuclear submarines. (SOURCE: Wikipedia)
To see the whole movie online click on the link shown below the video.
As a kid my Brownie Troop was invited aboard a sub at Pearl Harbor. Let's just say it was really tight inside, even for little girls used to playhouses. This was a wondrous playhouse, especially the torpedos. The cook had prepared a cake for us so we all gathered around for a piece at the tiny table with a big cake on it. Good times. Good times. Somewhere I have a photo of my troop standing on deck dressed in our little brown uniforms. I'm in the back row, neck stretched trying to see over the heads of the others. I was a scrawny kid.
Now that we're officially out of the season, though my tree is still up and looking beautiful, it's time to move away from festive ephemera or anything pertaining to the holidays. You'll soon find I'm reneging on this.
This post is about two books you might be interested in, both with links to Amazon in the left column where you can see pages from their interiors and read reviews. One about ephemera, the other about being an artist.
Breathless Homicidal Slime Mutants by Steven Brower. Okay, I actually think they could have chosen a better title because this is simply too "hip" for a lot of people. It doesn't really give you an idea of the wonders between the covers. If you like collecting vintage paperbacks this is the latest book to provide a quick fix. Page after page of wonderful, odd, and salacious covers of all genres. Mysteries, science fiction, westerns, romance, even the classics, and so much more are covered. I was pleased to find a few books I actually own including this one below, I Want to Live.
A movie tie-in book for a film noir starring Susan Hayward for which she won an Academy Award. Want to see the movie? Turner Classics will be showing it on January 16th, check your schedule for the exact time.
Now, the second book is a complete opposite. Signed, Abiah Rose is a wonderful children's book that my friend, who is an illustrator, gave to me for Christmas (told you I wouldn't let the holiday go in this post). An edition signed by the author Diane Browning. A tale of a young girl in the 18th century who wishes to be an artist. Though allowed by her father to paint, she is discouraged from signing her work, her mother telling her it would be "prideful." Oh my how times have changed. Abiah chooses to quietly sign her work with a rose. How many traveling artists from long ago were women hiding their identity? A beautifully illustrated book with an uplifting story. Do check out her blog at http://www.dianebrowningillustrations.com/.
As I said, totally different subject matter, but each book well worth owning.
Continuing with the Naval theme from yesterday, today I give you Ensign O'Toole and Me written by William J. Lederer, printed in 1959:
Ensign O'Toole and Me is the title of a semi-autobiographical novel by William Lederer. The book was loosely adapted to television in the 1962—1963 NBC Four Star Television series Ensign O'Toole, starring Dean Jones in the title role and featuring Jack Mullaney, Jay C. Flippen, Harvey Lembeck, Beau Bridges, and Jack Albertson.
Early chapters are light-hearted and amusing. One early chapter describes how O'Toole, the hero, gives a clever explanation to his peers at Annapolis, why he chose, as his first assignment, the post of Executive Officer aboard an American River Gunboat in China.
Several light-hearted chapters follow, all set in South-East Asia, prior to World War II, where O'Toole learns oriental languages from beautiful, exotic oriental women, which enable him to bail his Captain out of jail after a drunken rampage.
Our hero and our narrator lose touch during World War II. When they reconnect our narrator has retired from the USN and become a journalist. O'Toole is in Military Intelligence. Our hero keeps running into O'Toole in improbable locations, returning from dangerous missions, behind enemy lines, where he pleads with our hero to make the US public pay more attention to the dangers of Communism. (SOURE: Wikipedia)
Not directly a movie tie-in paperback, but the inspiration for a now-you-see-it now-you-don't NBC show.
Now, what other book do you suppose Lederer wrote? The Ugly American.
So who was William J. Lederer?
William Julius Lederer, Jr. (March 31, 1912 – December 5, 2009) was an American author.
He was a US Naval Academy graduate in 1936. His first appointment was as the junior officer of a river gunboat on the Yangtze River.
His best selling work, 1958's The Ugly American, was one of several novels co-written with Eugene Burdick. Disillusioned with the style and substance of America's diplomatic efforts in Southeast Asia, Lederer and Burdick openly sought to demonstrate their belief that American officials and civilians could make a substantial difference in Southeast Asian politics if they were willing to learn local languages, follow local customs and employ regional military tactics. However, if American policy makers continued to ignore the logic behind these lessons, Southeast Asia would fall under Soviet or Chinese Communist influence.
In A Nation of Sheep, Lederer identified intelligence failures in Asia. In "Government by Misinformation" he investigates the sources he believes lead to American foreign policy:
Trusted local officials.
Local (foreign) newspapers, magazines, books, radio broadcasts, etc.
Paid local informers.
Personal observations by U.S. officials.
American journalists.
Other works were intended to be light-hearted and humorous fantasies. His early work, Ensign O'Toole and Me is both. A children's book, Timothy's Song, with illustrations by Edward Ardizzone, appeared in 1965.
William Lederer rose to the rank of Navy Captain. The source for this is his own statement in Our Own Worst Enemy discussing being assigned as a Special Assistant to Commander in Chief, Pacific Fleet. (pg 54, W.W. Norton & Company, Inc, 1968).
A piece of history related in Our Own Worst Enemy is the story of Lederer as a young Navy Lieutenant, Junior Grade, having a chance meeting in 1940 with a Jesuit priest, Father Pierre Cogny, and his Vietnamese assistant, "Mr. Nguyen", while waiting out a Japanese bombing raid in China. Father Pierre asked Lederer if he had a copy of the United States Declaration of Independence on his gunboat, and Lederer said that he did and provided them with a copy. "Mr. Nguyen" later became better known as Ho Chi Minh, the Vietnamese Communist revolutionary and statesman who served as prime minister (1946–1955) and president (1945–1969) of the Democratic Republic of Vietnam (North Vietnam). The 1945 Proclamation of Independence of the Democratic Republic of Vietnam, written by Ho Chi Minh, begins by quoting from the American document.
Lederer died December 5, 2009, of respiratory failure at the age of 97.(SOURCE: Wikipedia)
To read Lederer's obituary in the New York Times click here.
I don't think I've ever seen the original Marlon Brando version of The Ugly American, but I have seen the remake with Michael Cain many times. Great story. I know I have the book around here. Need to put it near the top of the stack.
One of my favorite movies is Mr. Roberts. I can watch that one over and over and never get tired of it. The cast of Henry Fonda, William Powell, James Cagney, and Jack Lemmon as the hysterical Ensign Pulver, are perfect. Lemmon will always be the true Pulver. Nobody else can inhabit that character. Plus, the little flat island shown in the background in the opening shots is Midway Island where I once lived.
Somewhere around this house I do have a copy of the book Mr. Roberts, but it is not a movie tie-in having been printed decades after the movie. The book shown today is for the follow-up movie Ensign Pulver which starred Robert Walker, Burl Ives, Walter Matthau, Millie Perkins, and once upon a time husband to Nancy Sinatra, Tommy Sands.
I know I've seen this movie, but have only vague memories of it. It's not one I'll rush to see because Jack Lemmon WAS Ensign Pulver, not Robert Walker.
I'm sure I bought this book, and yes I bought it when the movie came out, hoping for more Ensign Pulver shenanigans. Don't ask me about the book. No memory of reading it. It's in pristine condition.
Let's see, which song comes to mind first? Some Enchanted Evening, I'm Going to Wash That Man Right Out of My Hair, Happy Talk, or You've Got to be Taught?
Two vintage paperbacks of the same book, James A. Michener's Tales of the South Pacific.
This first one I've had for probably over 40 years and was in a stack of books friends gave us when they sold their cabin. I just moved all the books over to my folks cabin. It was printed in 1950, 16th edition.
This second one, the actual movie tie-in book, I found at the post office on a book exchange table. You bet your sweet bippy I grabbed it. This copy was published in 1958.
What's really fascinating is what's on the first page of the oldest book:
This novel--which won the Pulitzer Prize "for distinguished fiction in book form"--was written by a man of 40 whose only previous books were scholarly research studies. The manuscript (submitted anonymously) was accepted by its original publishers without knowing that the author was one of their own staff editors.
What I don't understand is why haven't I ever read this? It's now on my stack of must read books.
Tales of the South Pacific is a Pulitzer Prize winning collection of sequentially related short stories about World War II, written by James A. Michener in 1946 and published in 1947. The stories were based on observations and anecdotes he collected while stationed as a lieutenant commander in the US Navy on the island of Espiritu Santo in the New Hebrides Islands (now known as Vanuatu).
The stories take place in and surrounding the Coral Sea and the Solomons. Michener gives a first-person voice to several as an unnamed "Commander" performing duties similar to those he performed himself. The stories are interconnected by recurring characters and several loose plot lines (in particular, preparations and execution of a fictitious amphibious invasion code-named "Alligator") but focus on interactions between Americans and a variety of colonial, immigrant and indigenous characters. The chronology of the stories takes place from the building of an airfield on Norfolk Island before the Battle of the Coral Sea in 1942 to the early 1944 invasion of the fictional island. Although primarily about the U.S. Navy, most of the action is shore-based, and none concerns ships larger than an LCI.
The musical play South Pacific (which opened on Broadway on April 7, 1949), by Rodgers and Hammerstein, was based on these stories. Characters from the stories are merged and simplified to serve the format of the musical. For example, while the coastwatcher in the musical was portrayed as an American Marine (Lt. Cable) assisted by an expatriate French plantation owner (Emile de Becque), in the original story ("The Remittance Man"), the coastwatcher was an English expatriate assisted by his native companions. This coastwatcher is a disembodied voice on a short-wave radio, and is never seen by the characters in the story until his head is found impaled on a stake by a search-and-rescue party. The character of de Becque in the short story has eight mixed-race illegitimate daughters by four different women, none of whom he married, when he meets the nurse Ensign Nellie Forbush. In the musical, he has two legitimate mixed-race children by a woman whom he had married and who had died.
Go ahead, tell me which South Pacific songs pops into your head first.
After the previous post about Beatle bubblegum cards for the movie A Hard Day's Night I thought I'd post the two movie tie-in books I have.
During the hey-day of The Beatles I was always checking magazine stands for anything Beatles. Buying records and magazines was how my allowance was spent. I still have the specialty magazines I bought, but all of the old Tiger Beats, etc. were cut up and now I'm left with scraps floating loose in an old binder.
Each of these books has an 8 page photo insert, the main reason, I'm sure, that I bought the books. I haven't seen either of these movies in decades. I don't know why they aren't shown on any of the premium channels. Seems a shame to me, especially A Hard Day's Night. Help not so much.
And then there's this magazine full of promotional snapshots taken during the filming of A Hard Day's Night. Though there are some great photos inside, the cover shots are just plain weird. It seems someone went to town airbrushing the boy's faces with retouching pancake makeup. It's just odd.
To see more movie tie-in paperbacks, not The Beatles, click here, here, and here.
So what has happened to you this summer? Probably nothing as horrifying as what happened to Liz Taylor in Suddenly Last Summer.
This movie tie-in book was found in a pile of books that had been discarded. It cost me nothing. It has 8 pages of stills from the movie. Happy me.
For those not familiar with the story:
Suddenly, Last Summer is a one-act play by Tennessee Williams. It opened off Broadway on January 7, 1958, as part of a double bill with another of Williams' one-acts, Something Unspoken. The presentation of the two plays was given the overall title Garden District, but Suddenly, Last Summer is now more often performed alone. The play, basically consisting of two long monologues, is considered one of Williams' starkest and most poetic works.
The play features Catharine Holly, a young woman who seems to go insane after her cousin Sebastian dies on a trip to Europe under mysterious circumstances. Sebastian's mother, Violet Venable, trying to cloud the truth about her son's homosexuality and death, threatens to lobotomize Catharine for her incoherent utterances relating to Sebastian's demise. Finally, under the influence of a truth serum, Catharine tells the gruesome story of Sebastian's death by cannibalism at the hand of local boys whose sexual favors he sought, using Catharine as a device to attract the young men (as he had earlier used his mother). (SOURCE: Wikipedia)
A few months ago I featured a couple of film tie-in paperbacks for Paul Newman and Steve McQueen films. This time it's Burt Lancaster and Tony Curtis in Sweet Smell of Success. The film came out in 1957 and stars Burt Lancaster and Tony Curtis as a notorious New York gossip columnist and a desperate press agent. Beautifully shot in New York in black and white noir. The story is as relevant today as when it was released showing the dark underbelly of how some things are done in our society. I can't recommend it enough.
If you like Mad Men and haven't seen this film watch for it to show up on Turner Classics or put it in your Netflix's queue. I've already checked out next months listings for TCM and it's not on so I can only hope it'll be on again in the coming months. To read Roger Ebert's review of the film click here.
This paperback was found in a thrift store. A nice find. Includes 8 pages of black and white stills from the film. A nice way to remember the film. Really a mini film poster.
It is strange how a train of thought can quickly end up on a side spur.
A friend and I were talking on the phone about I don't know what and suddenly she said the name of a movie, which I've now forgotten, and we both exclaimed that we never understood what the movie was about. We chattered about this movie for a few minutes before I said, "Bullet." Long pause from her. I then said, "What was it about?" She said, "Yeah, well... McQueen...it didn't really matter." Then she said, "Oh, oh...Natalie Wood" to which I said, "Yes! Yes! Love With the Proper Stranger!" She sighed. I sighed. Then I told her I had a tie-in paperback from the movie. This then led to her saying, "And that other Natalie Wood movie...with Redford...and a train." Long pause from both of us, trying to remember the name of it. I said, "Coppola wrote it." Nothing. Then we both were throwing out scenes until I finally yelled, "This Property is Condemned!" More sighs. And I reminded her the young girl in it was the young girl from To Kill a Mockingbird. And somehow I ended up telling her I also had a tie-in paperback from Hud with Paul Newman on the cover and said it was one of the sexiest covers I'd ever seen.
So that's how I ended up here. McQueen.
I don't purposely collect movie/tv tie-in books. They've just sort of formed a stack. Several of them were bought when I was a teenager, had seen a movie, and wanted to read the book. Then somewhere along the line I'd find them in thrift stores and buy them for a quarter. Soon I had a collection. It wasn't until I was at an event at the Mill Valley Film Festival that I realized this was an actual collectors item. Someone had a collection displayed, as I recall they were in a case. I was sort of dumbfounded. "Whoa, somebody else collects these things?" Okay, that meant there was potential competition at the junk stores. So now I take better care of my little old yellowed paperbacks. I know that somewhere out in the darkness someone covets my stash.
And as to my friend...I was just thrilled by the end of the call to find out she hadn't slept with McQueen. She seems to have slept with everybody else. But that's a blog unto itself.
A journey via vintage snapshots through the world of dolls and their owners from the early part of the 20th century to the 1960s. This is volume 7 in the Tattered and Lost Vernacular Photography series.
BUCKAROOS AND BUCKARETTES
Tattered and Lost: Buckaroos and Buckarettes is a collection of vintage snapshots for those who remember riding the range when they were kids. These adventures usually consisted of sitting in front of a black and white television or running around the neighborhood with our shiny six-guns strapped to our sides. Our imaginations created entire worlds that never existed. We sang along with our heroes, convinced that with a song in our heart and a six-gun on our hip we could vanquish evil. This book is dedicated to all the other buckaroos and buckarettes who rode their imaginations into the sunset while humming Happy Trails.
CAKES, PICNICS, AND WATERMELON
Collecting vintage photographs starts out innocent enough with a few snapshots here and there, but at some point it becomes a bit more obsessive and you find yourself longing for the next image that makes you laugh or ponder the irrefutable confusion of being human. This book, Tattered and Lost: Cakes, Picnics, and Watermelon, the fourth in a series, shows the quirky world of sharing food from the 1890s to the 1970s in the United States. Sit back and enjoy watching people cut cakes (some people do it with such style!), go on picnics without your relatives, and watch people eat watermelon. Yes, eat watermelon. An odd category for sure, but one sure to make you smile.
Vernacular Photographs
Tattered and Lost: Vernacular Photographs, is volume 1 in my self-published books showing photos from my collection. Photographs play off each other on facing pages asking the viewer to come to their own conclusion as to what they are looking at. Included is a photo of the Pennsylvania Railroad S1 steam locomotive, designed by Raymond Loewy, on display at the 1939 New York World’s Fair. And one of the few known copies of a photo taken by Rudolph D’Heureuse in 1863 proving there were indeed camels used by the U. S. Cavalry is included. So take a step back in time and visit with some folks who long ago smiled and said “cheese” never knowing how long those smiles would last.
TELLING STORIES
In need of writing prompts? Looking for a gift for a friend who loves vintage photographs? Tattered and Lost: Telling Stories is now available from CreateSpace and Amazon. Click on the image to find out more!
CHILDHOOD
A new and expanded edition of Tattered and Lost: Childhood. Available at CreateSpace and Amazon. Better price, more pages, larger trim size. Click on the image to read more about it.
BOOKS FOR THOSE WHO LOVE EPHEMERA AND VERNACULAR PHOTOGRAPHY
WHAT IS TATTERED AND LOST EPHEMERA?
Tattered and Lost EPHEMERA is about some of the items in my collection including: letters, postcards, valentines, menus, recipe books, children's books, magazines, greeting cards, paper dolls, vernacular / found photos, and whatever odd things I find stuck in the nooks and crannies of this house.
This site is affiliated with Tattered and Lost PHOTOGRAPHS.
Photographs of the ordinary by the ordinary.
All photos are from my private collection. They may NOT be used in any manner without my permission. I retain all copyrights for everything published on this site unless specified as belonging to someone else.