3/1/11

HELEN KELLER and an unreadable post card


Part of me says, "Oh, there's no reason to explain who Helen Keller is. Everyone knows her story." Then I start thinking about how poorly educated we are in this country and I know there are a lot of people who haven't a clue who this great woman was. All I'll provide are snippets in hopes that others will take the time to look into her life, learn from it. Find out what a true hero is. Not a phony sports figure, two bit rock star, or movie star. Someone who through terrific odds left the world a better place.
Helen Adams Keller (June 27, 1880 – June 1, 1968) was an American author, political activist, and lecturer. She was the first deafblind person to earn a Bachelor of Arts degree. The story of how Keller's teacher, Anne Sullivan, broke through the isolation imposed by a near complete lack of language, allowing the girl to blossom as she learned to communicate, has become widely known through the dramatic depictions of the play and film The Miracle Worker.

A prolific author, Keller was well-traveled, and was outspoken in her opposition to war. A member of the Socialist Party of America and the Wobblies, she campaigned for women's suffrage, workers' rights, and socialism, as well as many other leftist causes.

Early childhood and illness
Helen Adams Keller was born on June 27, 1880, in Tuscumbia, Alabama. Her family lived on a homestead, Ivy Green, that Helen's grandfather had built decades earlier. Helen's father, Arthur H. Keller, spent many years as an editor for the Tuscumbia North Alabamian and had served as a captain for the Confederate Army. Helen's paternal grandmother was the second cousin of Robert E. Lee. Helen's mother, Kate Adams, was the daughter of Charles Adams. Though originally from Massachusetts, Charles Adams also fought for the Confederate Army during the American Civil War, earning the rank of brigadier-general.

Helen's father's lineage can be traced to Casper Keller, a native of Switzerland. Coincidentally, one of Helen's Swiss ancestors was the first teacher for the deaf in Zurich. Helen reflects upon this coincidence in her first autobiography, stating "that there is no king who has not had a slave among his ancestors, and no slave who has not had a king among his."

Helen Keller was not born blind and deaf; it was not until she was 19 months old that she contracted an illness described by doctors as "an acute congestion of the stomach and the brain", which might have been scarlet fever or meningitis. The illness did not last for a particularly long time, but it left her deaf and blind. At that time, she was able to communicate somewhat with Martha Washington, the six-year-old daughter of the family cook, who understood her signs; by the age of seven, she had over 60 home signs to communicate with her family.

In 1886, her mother, inspired by an account in Charles Dickens' American Notes of the successful education of another deaf and blind child, Laura Bridgman, dispatched young Helen, accompanied by her father, to seek out Dr. J. Julian Chisolm, an eye, ear, nose, and throat specialist in Baltimore, for advice. He subsequently put them in touch with Alexander Graham Bell, who was working with deaf children at the time. Bell advised the couple to contact the Perkins Institute for the Blind, the school where Bridgman had been educated, which was then located in South Boston. Michael Anaganos, the school's director, asked former student Anne Sullivan, herself visually impaired and only 20 years old, to become Keller's instructor. It was the beginning of a 49-year-long relationship, Sullivan evolving into governess and then eventual companion.

Anne Sullivan arrived at Keller's house in March 1887, and immediately began to teach Helen to communicate by spelling words into her hand, beginning with "d-o-l-l" for the doll that she had brought Keller as a present. Keller was frustrated, at first, because she did not understand that every object had a word uniquely identifying it. In fact, when Sullivan was trying to teach Keller the word for "mug", Keller became so frustrated she broke the doll. Keller's big breakthrough in communication came the next month, when she realized that the motions her teacher was making on the palm of her hand, while running cool water over her other hand, symbolized the idea of "water"; she then nearly exhausted Sullivan demanding the names of all the other familiar objects in her world.

Due to a protruding left eye, Keller was usually photographed in profile. Both her eyes were replaced in adulthood with glass replicas for "medical and cosmetic reasons". (SOURCE: Wikipedia)
The reason for this post is because of this old post card I found in one of my many post card boxes. I remember buying it at an estate sale. The only reason I bought it was because of the link to Keller.

Helen Keller post card_tatteredandlost

Helen Keller card_tatteredandlost

What I find funny is that here we have a card honoring a great communicator and the person who scrawled their message on this card was definitely missing the point. I simply can't read their writing.

My first introduction to Helen Keller was this little Scholastic Book originally published in 1958. This one is a fifth edition published in 1962. Oh yes, I did so love the Scholastic Book Club. But I've done a post about that in the past.

Helen Keller_Scholastic Book_ft_tatteredandlost
Helen Keller_Scholastic Book_bk_tatteredandlost

Apparently the house shown in the post card, Ivy Green, is open to visitors. For information click on Helen Keller Birthplace. I think it would be a fascinating place to visit.

2/26/11

Let's form a SWEET POTATO BAND!


Okay folks...
Let's put on a show! You bring your sweet potato and I'll bring mine!
or for the more refined folks visiting here...
Let us consider performing this evening for a few of our really smart chums. You bring your ocarina and I'll bring mine.
This book, Music Is Fun with this Gretsch Ocarina Book, dates back to 1940, pre-war. I'm wondering if it actually became popular, as this book hoped, for service men to form ocarina bands. I would like to hear that. This is another dandy from Bert's collection

Click on any image to see it larger.

Ocarina_FT_tatteredandlost

Ocarina_1_tatteredandlost

Ocarina_2_tatteredandlost

Ocarina_3_tatteredandlost

Ocarina_BK_tatteredandlost

I guess you could say this is another "raise your hand" post. Who remembers sweet potatoes when you were a kid. (No, not those things in the bowl with the melted marshmallows on top.) I remember someone having one made out of plastic. Maybe I owned it, I don't know. I do still have my kazoo, but that's a whole other story.

For your listening pleasure I give you some faux ocarina playing by Hope and Crosby. The sound is true ocarina, but they aren't playing it.

2/25/11

It's HAPPINESS BOYS FRIDAY!


Have you got your ukulele in tune? Well sit down and do it now before you read any further.

There’s a reason I’m calling this Happiness Boys Friday. You won’t have a difficult time figuring it out.

Happiness Boys_cover_tatteredandlost

Happiness Boys_inside cover_tatteredandlost

Happiness Boys_title pg_tatterdandlost

Happiness Boys_back_tatteredandlost
Click on any image to see it larger.

This song book is from the big box of sheet music Bert gave me. It dates from 1926. I’d never heard of these fellows, but I’m stunned I know one of the songs they were known for.

So who were the Happiness Boys (aka The Taystee Loafers and The Interwoven Pair)? According to Wikipedia:
The Happiness Boys was a popular radio program of the early 1920s. It featured the vocal duo of tenor Billy Jones (1889-1940) and bass/baritone Ernie Hare (1881-1939) who sang novelty songs.

Career
Jones and Hare were already established as soloists on phonograph records. One of Jones's better solos was "Mary Lou," while Hare scored with the Yuletide novelty "Santa Claus Hides in the Phonograph." In 1920 recording executive Gus Haenschen had them sing an accompaniment on a Brunswick recording. They went on to do numerous recordings for Brunswick Records, Edison, and other companies. Similarities between the two singers were often noted: same height, same weight, birthdays a few days apart.

They began on radio October 18, 1921 on WJZ (Newark, New Jersey), where they were sponsored by the chain of Happiness Candy stores. Listeners mailed in their comments about the singers on cards supplied to retailers by Happiness Candy.

Beginning August 22, 1923, the Happiness Boys broadcast on New York's WEAF, moving to NBC from a run from 1926 to 1929.

By 1928, Jones and Hare were the highest paid singers in radio, earning $1,250 a week. They also made highly successful personal appearances in the United States and Europe.

The partnership ended with Ernie Hare's death on March 9, 1939. Hare's 16-year-old daughter, Marilyn Hare, joined Jones at the microphone, allowing the act to continue as "Jones and Hare" until Jones's death on November 23, 1940. (SOURCE: Wikipedia)
Want a sample? You sure?



Here are the words to two of their catchy tunes included in this book:
Broken Down Mamma

Broken Down Mamma
Broken Down Mamma
Quit your tormenting me
Broken Down Mamma
You’re as sassy as can be,
Go on an’ take yo’body on a big long trip
Your daddy’s done found some brand new lip
Broken Down Mamma
You’re just a broken mamma to me.


Indoor Baby

She’s what you call an Indoor Baby
She’s awfully fond of indoor sports
She’s more proficient at parlor games
Than on the links or tennis courts
Two loving arms,
Two lips and two eyes
She’ll challenge any boy
Who likes that kind of exercise.
She’s is not the kind who can ride, swim or climb
But she’s an Indoor Baby all the time.
Wouldn't you like to hear these?

You might now be wondering which song of their’s is now running through my head? Okay, so you’re probably not wondering, but I’ll tell you anyway. It's "Does Your Chewing Gum Lose Its Flavor on the Bedpost Overnight?” Raise your hand if you remember it. And what was the catchy chorus? Take a listen to this version by Lonnie Donegan and if you’re of a certain age you’ll probably remember singing along when you were a kid.

2/24/11

How FILM NOIR GETS YOU THROUGH THE NIGHT


I didn't want to go to sleep last night. I felt like it would be wasted hours. I ended up spending hours with this book, The Art of Noir by Eddie Muller. A beautiful book full of four- color images of vintage noir movie posters.

The book was originally published in 2004 so you know it must be pretty good to still be in print. You don't have to go looking for used copies.

If you have a love of film noir, vintage illustration and posters, hand lettering, oh heck...Joan Crawford, Humphrey Bogart, Ida Lupino, Dick Powell, Betty Davis, Ray Milland and on and on and on. Simply stunning sumptuous images.

I've put a link to the left in the Amazon column where you can see more images from the book. I add these below just to give you an idea of how stunning it is.

Time will pass and you'll find yourself lost in it. Each page brings a new and stunning piece of ephemera that fortunately was not destroyed as the theater owners had been originally told to do.


And don't think you're getting a small format book. This book is a very nice trim of 10.6" x 14.3", 271 pages. A coffee table book that should come with it's own table because you'll just want to leave it open so you can stand back and take it all in.

2/22/11

The SCHOOL ARTS MAGAZINE paper doll


Included in a large box of sheet music Bert gave me is a magazine from 1926, The School Arts Magazine. I'd never heard of this publication. It was published by The Davis Press, Inc. out of Worcester, Massachusetts. It appears the magazine was first published in 1901. When my issue was published, 1926, their offices were located at 44 Portland Street. Today, Davis Publications is located at 50 Portland Street so in over 100 years they haven't moved too far.

The School Arts Magazine 1926_tatteredandlost

A magazine that then, and apparently now, focuses on helping schoolteachers teach arts and crafts. From their website:
SchoolArts is a national art education magazine committed to promoting excellence, advocacy, and professional support for educators in the visual arts since 1901.
Considering that too often schools jettison art programs this is a nice step back in time when the arts were considered of value to a growing child. I won't even go into what I think of people today who see no value in the arts or specifically exposing children to it. I get angry just thinking about it. I'm glad to know this magazine still exists.

To see a full copy of an edition from 1918 click here.

Inside the edition I have is a wonderful little find. A paper doll for children to color.

SAM_Dutch paper doll_tatteredandlost

SAM_dutch paper doll dress_tatteredandlost

SAM_Spanish paper doll_tatteredandlost
Click on any image to see it larger.

Paper doll lovers, come out, come out, wherever you are! This one might be a new one for you.